Charles Rosen Quotes
Nevertheless, music will not acknowledge a context greater than itself-social, cultural, or biographical-to which it is conveniently subservient. To paraphrase Goethe's grandiose warning to the scientist: do not look behind the notes, they themselves are the doctrine.
Quotes to Explore
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It's a luxury to not have to just be performing with other people to have my music heard.
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Music is all about leadership and there ain't really a lot of leaders.
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I feel that Christian music is a subculture directed towards the Christians. It's not really being exposed to non-Christians and it's not really created for non-Christians, so non-Christians almost never hear any of this music.
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Music rhythms are mathematical patterns. When you hear a song and your body starts moving with it, your body is doing math. The kids in their parents' garage practicing to be a band may not realize it, but they're also practicing math.
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I sat in the green room at Radio City Music Hall for the 2006 NFL Draft. At my table, I was encircled by my parents, brother, agent, former coaches and close friends.
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The opera is to music what a bawdy house is to a cathedral.
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I'm comfortable only when there's a mutual attraction. That's what anyone wants. If I find out she's not attracted to me, it brings down my level of attraction to her. If I'm interested and find out she's not, I tend to cool off.
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I don't listen to my old music of Vanity's unless I have to hear it playing in a mall or something place like that.
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Music is the best means we have of digesting time.
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I'm not a pop act, churning stuff out really quickly. I find the music that arises from that style of working is distracted, not particularly profound.
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Those who seek to satisfy the mind of man by hampering it with ceremonies and music and affecting charity and devotion have lost their original nature.
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I love classic rock, rock and roll, that's the top notch. I love soul - bluesy music as well.
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Sports without music is just a game. Music makes it entertaining.
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If architecture is frozen music then music must be liquid architecture.
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I've always been singing all my life, but I started playing guitar when I was 19, and that was my final year in university, in law school. I think that happened when I started making a lot of friends who were in the independent music scene.
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There's the Bacon society, which is fostered by his fourth wife Helen Bacon, but I don't know what kind of performances his music gets. He wrote symphonic music and some chorale music.
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Music can be made anywhere, is invisible and does not smell.
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Maybe in music you're making an auditory environment and maybe you change your environment around you to suit your own way.
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Music and dance influence my style in a lot of ways. Sometimes I go off to work dressed up like I'm going to hit the stage and perform.
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I've always been drawn to stories and telling them; whether it was through being a part of theater when I was a little kid, or film, or with music, there's just been an innate desire to feel that connection.
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When Kenny first came to me, I think he was thinking of making a nice little folk record, but in my opinion, folk music had come to an end and I felt he needed to go to the next step, the next generation.
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The art of music is so deep and profound that to approach it very seriously only is not enough. One must approach music with a serious rigor and, at the same time, with a great, affectionate joy.
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War is tragedy. The great war stories are tragedies. It's the failure of diplomacy. 'War and Peace,' 'A Farewell to Arms,' 'For Whom the Bell Tolls.' Those are some of the greatest tragedies.
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Nevertheless, music will not acknowledge a context greater than itself-social, cultural, or biographical-to which it is conveniently subservient. To paraphrase Goethe's grandiose warning to the scientist: do not look behind the notes, they themselves are the doctrine.
