Bernardo Bertolucci Quotes
I wanted to have a reaction from the audience. I wanted to be able to talk to somebody, and not be talking just to myself. That's when I did 'The Conformist,' 'Last Tango in Paris,' etc. And I found it was incredibly rewarding, something new.
Quotes to Explore
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My family and I had to overcome a lot to get where we are today.
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My manager's biggest dream is for me to be on Letterman. She says, 'Oh, Maggie, will you promise me you'll be on 'Letterman?' What can I say? I just tell her I can't promise, but I'll try my best.
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Our society is divided by the culture wars into the Left and Right, and the United Methodist Church has always stood historically in the center and has been willing to listen to and to bring together those things that often are found in opposite camps.
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Anytime I'm involved with anything that's well-received, it's a surprise to me.
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There are certain types of slightly hysterical human characters who, rather than creating, walk around with a sense of their own potential - it's as if they themselves were art objects. They feel as if their lives are written narratives, or pieces of music.
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I've spent a lot of time being bohemian and sleeping on floors, but eventually I want to have kids and I want to bring them up in a secure environment.
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It was a joy to be a part of the team that created Round The Horne. I was involved with the show at a time of my life when I was very happy., and that happiness overflowed into the scripts.
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If people want to find me, they can. They'll see a middle-aged woman wandering around the grocery store, looking to see what to buy for dinner.
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To come in and win three races already this year and maybe set a record by winning four is pretty unique. But guys like Mark Martin, Rusty Wallace and these guys are not wanting that to happen.
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AI does not keep me up at night. Almost no one is working on conscious machines. Deep learning algorithms, or Google search, or Facebook personalization, or Siri or self driving cars or Watson, those have the same relationship to conscious machines as a toaster does to a chess-playing computer.
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I tried to hostess... but they fired me after four days because I couldn't figure out how seating plans worked.
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You do need to get lucky, no matter how talented you are.
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I think the varied backgrounds in the beginning were a plus. It took a while for people to understand what they were trying to do and get started, but it did provide for a lot of new ideas.
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Painting is just another way of keeping a diary.
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I travel to a lot of schools, and I see firsthand that while we do still have a lot of traditional readers, we don't have as many as we used to. And we're missing an awful lot of kids entirely... Do I want to get rid of the Internet? Obviously, I don't want that because of all the amazing things it brings.
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I'm a voracious reader, and I love to throw myself into it.
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In a lot of places in the United States and certainly even more places around the world, the image of the cowboy has become, for some people, a negative one. The word 'cowboy' implies a strong, stubborn individual whose individualism depends on pulling down other people's individualism.
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Saying you are a patriot does not make you one; wearing a flag pin does not in itself mean anything at all.
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Crime is the biggest genre in libraries and in bookshops, and it is hugely varied.
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Family hang-outs can go very late into the night and involve lots of music.
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We are not making a capital investment into GM as the first element or condition.
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Every traveler knows too well the endless quest for the perfect travel bag: the one that's stylish enough to carry through Paris, sturdy enough to tote around Peru, and - most important - doesn't make your shoulder sag even before you've loaded it up with everything you need for a day of sightseeing.
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The first fashion show I ever attended was for Ritu Beri in 1997 or 1998. I think that was the first time Ritu had designed for one of my movies 'Yeh Raastein Hain Pyaar Ke.' She had done a show in Paris, and she had done the same show in Delhi. It was very eclectic, and I love the way she combines colours and makes them flamboyant.
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I wanted to have a reaction from the audience. I wanted to be able to talk to somebody, and not be talking just to myself. That's when I did 'The Conformist,' 'Last Tango in Paris,' etc. And I found it was incredibly rewarding, something new.
