Bernice King Quotes
We are faced with the dilemma of how or if we demonstrate where we stand on critical issues and corresponding social ills. We are also bombarded with so many instances of inhumanity that it can be difficult to determine what part we play in human progress.
Quotes to Explore
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I simply adore getting dressed up for a special occasion. I feel incredible stepping out in luxurious fabrics and a bit of bling. That's also how I feel about special-occasion dining rooms. Because these aren't everyday spaces, they contain all sorts of drama for that once-in-a-while 'wow' event.
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Escapism makes a lot of intuitive sense - whisk people away from their cares with stories of a better life.
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I had no future with the Dodgers, because I was too closely identified with Branch Rickey. After the club was taken over by Walter O'Malley, you couldn't even mention Mr. Rickey's name in front of him. I considered Mr. Rickey the greatest human being I had ever known.
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We believed that to understand literature, you had to understand its place in history and culture.
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There's more things that I'd like to do. You know, each song is a little bit of a puzzle. I see most of them as just failed attempts.
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I DJ'd for years. I DJ'd in high school, and I think my parents thought it was a passing thing. And then when I was in my second year of college, I was like, 'Yeah, you guys don't need to send me money anymore. My DJ gigs are good enough. I'm selling music; I think I'm gonna have a record deal. I can pay my tuition.'
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For me, rockabilly is very, very exciting music. It's electric and kind of wild, you know? It's 'make your hairs stand up on the back of your neck' kind of music.
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I was miserable in WCW. I knew I wasn't going to go any higher there, and jumping to WWE hadn't even crossed my mind. I couldn't stop wondering, 'Is this it? Is this what I worked my whole life for?'
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Celebrity life and media culture are probably the most overbearing pop-cultural conditions that we as young people have to deal with, because it forces us to judge ourselves.
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Saving a life overrides territories.
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Public radio is alive and kicking, it always has been.
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I was planning to study more, but it's a struggle with so many opportunities for film and trying to get better through studying. No matter what, I want to be making more movies.
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Does Sex Matter? Of course it does. But does it matter enough to Matter? That's a different question.
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An actor cannot be a censor. I'm there to interpret.
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We have been trained to broadcast our successes and hide our failures. But the truth is this: our failures humanise us, and they connect us to one another.
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I have to remind my dad, 'Journalists - no matter how many cigars they smoke with you - are not your friends, so don't talk to them.'
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We are a fact-gathering organization only. We don't clear anybody. We don't condemn anybody.
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Light Light The visible reminder of Invisible Light.
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My characters are not thinking about the act breaks. They're thinking about what they need to do to move forward. As long as I focus on that, the story starts to progress. As soon as I think, 'We're 20 pages in, something better blow up,' we're in trouble.
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Problems are the price you pay for progress.
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Where there is no struggle, there is absolutely no progress.
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I've played a lot of villains. The villains are always fun because you can just go fractionally bigger than life. It's always a grey area because you don't want to end up mustache-twirling and making them a little false, but you always get to play a little more, whereas the lead guy has to be a little more straight.
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We are faced with the dilemma of how or if we demonstrate where we stand on critical issues and corresponding social ills. We are also bombarded with so many instances of inhumanity that it can be difficult to determine what part we play in human progress.
