Charlie Kaufman Quotes
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I'm old enough, by a long shot, to remember going to the library and spending days researching. If I was looking for a line from a poem or something else I needed, that would be the trip I would have to take.
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I do like escapism. I like going to the movies on a Friday night and seeing something fun.
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I think if something resonates, even if it's surreal, it's because it is relatable and I think that that's a core issue for me.
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I don't think screenwriting is therapeutic. It's actually really, really hard for me. It's not an enjoyable process.
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We try to organize the world, which isn't organized the way our brains want to organize it. We tell stories about the people in our lives, we project ideas onto them. We project relationships with people, we make our lives into stories. I don't think we can avoid doing that.
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I was trying to figure out what a memory feels like.
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I have a lot of health anxiety.
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I think I've had pretty good experiences for the most part with the people who have directed my screenplays.
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Constantly talking isn't necessarily communicating.
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I do throw out a lot of ideas, and I forget completely about them.
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I have ideas written down some places, but usually I can't find them. I'm not very organized.
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If you create something that is asking for people to respond as they're going to respond, you have to allow them to respond as they're going to respond. Some of the people are going to be uninterested and some people are going to be mad for some reason, which is their business. That's just the way the world is.
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Sometimes I don't like the books that I'm reading.
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There's no way to approach anything in an objective way. We're completely subjective; our view of the world is completely controlled by who we are as human beings, as men or women, by our age, our history, our profession, by the state of the world.
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The way I write is very much without kind of a goal. I have something I'm interested in and then I decide I'm going to explore it. I don't know where the characters are going to go, I don't know what the movie is going to do or what the screenplay is going to do. For me, that's the way to keep it alive.
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I think if I've worked anything through with screenwriting it's that I'm not going to be able to work anything through.
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I think that people have expectations of themselves and other people that are based on these fictions that are presented to them as the way human life and relationships could be, in some sort of weird, ideal world, but they never are. So you're constantly being shown this garbage and you can't get there.
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As a kid, I had a background in theater.
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I actually think I'm probably more interested in structure than most people who write screenplays, because I think about it.
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I hate a movie that will end by telling you that the first thing you should do is learn to love yourself. That is so insulting and condescending, and so meaningless. My characters don't learn to love each other or themselves.
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It occurred to me that every work of art is a synecdoche, there's no way around it. Every creative work that someone does can only represent an aspect of the whole of something. I can't think of an exception to that.
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I think generally I'm kind of interested in subjective experience, what goes on inside someone's head, that being all they really know of the world.
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There's this inherent screenplay structure that everyone seems to be stuck on, this three-act thing. It doesn't really interest me. To me, it's kind of like saying, 'Well, when you do a painting, you always need to have sky here, the person here and the ground here.' Well, you don't.
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I don't write genre stuff in any form. I'm not interested in it. I always try to do the opposite of that.