Jack Adams Quotes
Quotes to Explore
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To grow up knowing you're loved is astounding. It's a huge gift to a child.
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I've been to a few conventions, you know, when the tax man knocks at the door and the 'Star Wars' convention people say: 'Do you want to come and sign some autographs?'
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We're here for a little, little bit of time, and I just wanna make the most out of it.
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I hadn't planned to be a model. It just happened by pure chance. I went to a beauty school with my sister, and I got discovered pretty late. I was discovered when I was 20-21.
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I don't have a goal but I just want to work on movies that I really like.
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When I was a very young lawyer, I had a senior partner who advised me never to get mad, except on purpose.
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Books on horse racing subjects have never done well, and I am told that publishers had come to think of them as the literary version of box office poison.
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But being quiet and meditating on sound is something completely different and will be discovered very soon by a lot of people who feel that the visual world doesn't reach their soul anymore.
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My movies are painfully personal, but I'm never trying to let you know how personal they are. It's my job to make it be personal, and also to disguise that so only I or the people who know me know how personal it is. 'Kill Bill' is a very personal movie.
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Woman begins by resisting a man's advances and ends by blocking his retreat.
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Patients who trust their doctors and have a psychological expectation of getting better could trigger a reaction in their body.
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My life is better with every year of living it.
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Warwick Davies is a cracking actor. The opening scene in the last 'Harry Potter' film, where he plays a captured Griphook, is mesmerising. His pacing is sublime, and the menace and regret he builds into the scene is fantastic.
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If you start trying to figure out yourself from the image everyone has of you, you run into a dead end.
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I feel that I can't do certain things that have sent to me, scripts, because I think that really - I've been June Cleaver for so many years, because we went back, you know, and we did - 20-year hiatus we had - and we went back and made 105 new ones. And so I really feel very strongly that there are certain things I won't do.
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I have always thought that the place where you sleep or the place you share with your partner should be separate from the place where you write. The domestic rituals and details somehow kill the imagination. They kill the demon in me.
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When studios start telling me why a particular film project won't work, I remember 'Rocky.' I remember that the biggest success Bob Chartoff and I have had was a film nobody wanted to make.
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The PC is successful because we're all benefiting from the competition with each other. If Twitter comes along, our games benefit. If Nvidia makes better graphics technology, all the games are going to shine. If we come out with a better game, people are going to buy more PCs.
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Ten bajillion product ads notwithstanding, your looks are another thing that's basically genetic.
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Cosmic reveries separate us from project reveries. They situate us in a world and not in a society. The cosmic reverie possesses a sort of stability or tranquility. It helps us escape time. It is a state.
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I used to conduct the last opera in Berlin on Sunday, get on a plane on Monday to Chicago, and start a rehearsal that same night, if it was a performance week.
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My company, Cinema Gypsy, produced a podcast, 'Bronzeville,' in conjunction with Larenz Tate and his brothers that we're developing into a television show. It deals with a very tight-knit African-American community in Chicago in 1947 and people who run a numbers wheel.
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I was assigned to the heavy cruiser Chicago.