Orhan Pamuk Quotes
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We should not judge Islam by terrorists. All civilizations and cultures produce terrorists. Every time there is a flag-burning, killing, or provocative films, I'm worried, not because something radical will happen, and this time, some people are killed. We're very sorry for that.
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These political movements flourish on the margins of Turkish society because of poverty and because of the people's feeling that they are not being represented.
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At the age of 60, I am less experimental and more mature. I want most of all to convey my understanding of life.
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I see Turkey's future as being in Europe, as one of many prosperous, tolerant, democratic countries.
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We fall in love more deeply when we're unhappy.
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Istanbul is a vast place. There are very conservative neighbourhoods, there are places that are upper class, Westernised, consuming Western culture.
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I would be pleased if someone would invent a pill to remove my impatience, moodiness, and occasional bursts of anger. But if they did, I wouldn't be able to write my novels or paint.
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Good fiction is about asserting the beauties of the world, inventing a new, positive thing. Where am I going to get that? And it should be original; it should not be cliched. So the way I looked at history was not to accuse it of failure.
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I really don't want to portray the Islamists as simply evil, the way it's often done in the west.
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At first my publisher had reservations about publishing it in the form you are familiar with.
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Authoritarianism, an unrealistic occidental imagination - these issues will never be settled. Turkey will continue to take Europe as a model; it will continue to pursue its search for democracy.
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For me, Westernization is not about consuming fanciful goods; it's about a system of free speech, democracy, egalitarianism and respect for the people's rights and dignity.
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I don't look at emails, Internet or newspapers before 1 P.M. I wake at 7 A.M., eat fruit, drink tea or coffee, and read what I've achieved, or not achieved, the previous day. Then I take a shower and work on my next sentence until 1 P.M. After I've done emails and so on, I write again from 3 P.M. until 8 P.M.; then I socialise.
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Generally, I get bad reviews in Turkey.
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Self-hatred is OK. I have self-hatred, too. It's OK. What's bad is if you don't know how to get out of it, don't know how to manage it. Self-hatred is, in fact, a good thing if you can clearly see the mechanism of it, because it helps you to understand others.
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I don't judge my characters.
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I don't much care whether rural Anatolians or Istanbul secularists take power. I'm not close to any of them. What I care about is respect for the individual.
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The fictive structure, my work, my imagination, my books are about the details, the huge construction about culture, Islamic culture or modern Turkey. They're all intertwined.
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When I write, I feel that I'm writing with my intellect. When I paint, I think it's some other force making me paint. I - as I wrote in my novel 'My Name is Red' - watch with amazement what my hand is doing on the paper, what kind of line, what kind of strange, beautiful thing it's doing in spite of my will, so to speak.
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When people read a novel 600 pages long, six months pass, and all they will remember are five pages. They don't remember the text - instead, they remember the sensations the text gives them.
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I get used to my fountain pens and my clothes, and I can never throw them away. I replace them only when I see that they are broken or embarrassing to wear.
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There's been quite a clear upswing in nationalist sentiments. Everyone is talking about it, in Turkey as well.
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The fueling of anti-Turkish sentiment in Europe is resulting in an anti-European, indiscriminate nationalism in Turkey.
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The opponents of this process have always tried to vilify westernization as a poor imitation.