Charlotte Rampling Quotes
The process of filmmaking is very musical, you get into the rhythm and the rhythmics of how someone is, especially with Woody Allen who is very much into body language and body movement.
Quotes to Explore
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I need to know the price of a gallon of milk and a dozen eggs. I need to know right now.
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If I'm among my boys or people I've grown up with, I can be immature.
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I feel sorry for the man who marries you... because everyone thinks you're sweet and you're not.
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I'm for absolute autonomy of the individual, and an adult, competent woman has absolute autonomy. It's her choice.
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Fear is the passion of slaves.
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Everyone has their opinion, and if no one criticizes, how will I improve my work?
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I have absolutely no desire and no thought of quitting ever.
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Singing in Yiddish was a great thrill for me and came about through Joe Papp, the founder of The Public Theater.
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I sort of understood that when I first started: that you shouldn't repeat a success. Very often you're going to, and maybe the first time you do, it works. And you love it. But then you're trapped.
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There are those people that eat to live and those that live to eat. I am of the latter, as many of you already know. To me, eating is an adventure.
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Anytime I audition for something, it's always a question of whether or not the people I'm auditioning for understand I'm an improviser and I like to do that, and if they like that or if they just want someone who's going to do what's written.
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A lot of directors want to storyboard you, whereas the best way to get a performance out of an actor is a collaborative process where you listen to the actor's input.
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Maybe because I bat aggressively and go for big hits at times, people tend to remember my batting. But I have always done well as a stumper, too.
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A lot of times you have to dip into the independent world to find the really great projects and the really great scripts. They're out there - you just have to search hard.
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I just aspire to pick people up. That's my ambition.
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I'm comfortable and confident about the future.
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Everyone seems to relate to the awkwardness of being a teenager, or even a 30-year-old.
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The world has the habit of making room for the man whose actions show that he knows where he is going.
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When future archaeologists dig up the remains of California, they're going to find all of those gyms their scary-looking gym equipment, and they're going to assume that we were a culture obsessed with torture.
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I'm the worst person to ask about how to get noticed. It took me 25 years.
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Love doesn't die; the men and women do.
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Runners exalt the marathon as a public test of private will, when months or years of solitary training, early mornings, lost weekends, rain and pain mature into triumph or surrender. That's one reason the race-day crowds matter, the friends who come to cheer and stomp and flap their signs and push the runners on.
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The process of filmmaking is very musical, you get into the rhythm and the rhythmics of how someone is, especially with Woody Allen who is very much into body language and body movement.
