Usain Bolt Quotes
Quotes to Explore
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I believe in the Prince of Peace. I believe that War is Murder. I believe that armies and navies are at bottom the tinsel and braggadocio of oppression and wrong, and I believe that the wicked conquest of weaker and darker nations by nations whiter and stronger but foreshadows the death of that strength.
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I'm actually so low maintenance when it comes to my hair. It's naturally stick-straight, but I do like to use a curling iron to give my locks some life.
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I was a tomboy.
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It makes no difference who or what you are, old or young, black or white, pagan, Jew, or Christian, I want to love you all and be loved by you all, and I mean to have your love.
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What I know is, is that if you do work that you love, and the work fulfills you, the rest will come.
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I can't take the theater side out of myself.
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I still wear my trousers baggy as I did in my teens. But in a different way. I've loved trainers since my youth - limited edition, vintage, whatever. You could recognise people and judge their character through their trainers. I'm a Nike man.
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I was famous from the age of 13, and after a while you become immune to it - in a good way. You look at positives and what you can do with it.
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I hardly ever write when I'm just feeling great.
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I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves. Then you can edit or mess around with what they've come up with. But you have to allow the artist that space.
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Half of the harm that is done in this world is due to people who want to feel important. They don't mean to do harm. But the harm does not interest them.
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National independence, and the preceding political struggles, helped create the space for literary creation in many post-colonial countries. Much of modern Indian or Chinese literature is inconceivable without the political movement for freedom from foreign rule.
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The people must know before they can act, and there is no educator to compare with the press.
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I can relax in L.A. I think I'm the only person in that town who doesn't want to act. I was an OK singer. I was an OK dancer. But acting? Never could do it.
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'Prison Notebooks' gives me a basic understanding of how power can influence people through cultural products and intellectual groups, so they will voluntarily support the hegemony.
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I was an early user of AOL – so early, I didn't even have a number after my user name. For me, email was once vital, both for personal and business uses.
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I can't wait to get my face lifted but my husband says, 'No, don't do it.' I think if it makes you feel better, go for it, but it would be nice if it looked good. There are a lot of people out there who are disasters and you think, 'Why did you do that?'
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The idea that I could push the envelope using dedication and research and endless curiosity has propelled me in my life's work.
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The pressure on women to be thin is like a plague. I have gone through my life, like a lot of women, rating my experiences on the basis of, 'Was I thin at that time or fat?' And it doesn't seem to let up.
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The essence of the cinema that I'm interested in is a combination of love, rage, and curiosity. Sometimes it's hard to see those intentions, or maybe it's hard to portray them on film in a way that doesn't sound too preachy or irrelevant. So instead of saying it out loud, you say it multiple times in the movie by hiding it. You get a sensation after you see the whole film throughout yourself.
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The moment we realize that the only things we can intelligibly value are actual and potential changes in the experience of conscious beings, we can think about a landscape of such changes - where the peaks correspond to the greatest possible well-being and the valleys correspond to the lowest depths of suffering.
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Sometimes you lose sight of what's going on around you.
