Karl Iagnemma Quotes
Quotes to Explore
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We filmed one scene on the beach and there was definitely weird energy around, and we were followed around by a white owl to several different locations, and little things like that, or certain mishaps would happen and you'd have to wonder what that was about.
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I'm 43. I'm not ready to sit down in a chair with my name on it yet.
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I find very often people like to confront rumors. It depends on how much they trust you. And you have to have a line between what is tasteful and what isn't.
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I think to have the skill set and the ability to physically help others in matters of life and death must be incredibly empowering.
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If I'm daring at all, I guess it would be emotionally. I try to keep things interesting for myself and to do things that challenge me.
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I'd wanted to be famous for as long as I could remember.
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For many children, the library represents their only access to books, reading, and the Internet outside of their home. If you think about how far behind a child would be without access to these fundamental tools - tools that are vital to successful employment later in life - it's a travesty.
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In England we have come to rely upon a comfortable time-lag of fifty years or a century intervening between the perception that something ought to be done and a serious attempt to do it.
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The law is simply expediency wearing a long white dress.
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I have had someone ask me to sign their 'Team Taylor' panties. She wasn't a teenager. She was in her 40s.
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Social Security is too vital to be lumped into backroom budget talks where the views of ordinary Americans risk going unheard.
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If you only believe that you're an artist when you have a big advance in your pocket and a single coming out, I would say that's quite soulless. You have to have a sense of your own greatness and your own ability from a very deep place inside you. I am the one with the litmus test in my hands of what people need to hear next.
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Writers have been in terrible situations and have yet managed to produce extraordinary work.
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Growing up in Nashville, especially in a music business family, means growing up with knowledge that seems like common sense until later in life when you realize people spend thousands of dollars a semester trying to learn or pretending to learn while looking for some intern job on music row.
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As an actor, I have casting issues. I'm a minority. I don't have trouble making a living, but as far as being on the food chain of the pecking order of actors, I'm not at the top of it. With the jobs that I do, there are always control issues with directors and producers.
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I know I've got a degree. Why does that mean I have to spend my life with intellectuals? I've got a lifesaving certificate but I don't spend my evenings diving for a rubber brick with my pyjamas on.
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To these ideals which were instilled in me when I was a youth, I attribute in a large degree the success that was mine on the bicycle tracks of the world.
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It isn't glamorous until after the film is finished, and you are at the premiere and getting your picture on the cover of magazines.
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When I hit a block, regardless of what I am writing, what the subject matter is, or what's going on in the plot, I go back and I read Pablo Neruda's poetry. I don't actually speak Spanish, so I read it translation. But I always go back to Neruda. I don't know why, but it calms me, calms my brain.
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The establishment, the newspapers, they try to create something called Scottish literature, but when people are actually going to write, they are not going to necessarily prescribe to that, they'll write what they feel.
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Someday, somehow, I am going to do something useful, something for people. They are, most of them, so helpless, so hurt and so unhappy.
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I always tell people, 'It'll get greater later' meaning that sometimes we have to pass through whatever it is. We know that we can get through it because others have.
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It's a cultural question. Will people want to share cars?
