Katherine Waterston Quotes
When you're playing Marilyn Monroe, you have a responsibility to look and sound like her that you don't when you're playing people who weren't ever in the public eye.
Quotes to Explore
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I don't see that many movies lately that are actually about something, that are trying to challenge something about the way that people interact.
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If a superhero knocks over a building, and there are 5,000 people in the building that we can presume are now dead, does it matter? Because they're not people we know. But if one dog we like gets run over by a car, it's the worst thing we've ever seen. I totally understand where that visceral reaction comes from. I have that same reaction.
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If I could distil the relevance of Bruce Springsteen's music to Australia it would be this: don't let what has happened to the American economy happen here. Don't let Australia become a down-under version of New Jersey, where the people and the communities whose skills are no longer in demand get thrown on the scrap heap of life.
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I have been fighting climate change for two decades, and people often ask me how I remain hopeful in the face of extreme weather and grim forecasts. The answer is simple: I see countless solutions spreading across the nation and across the world. But we need more investment.
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I'm a pretty chill and easygoing person; most people in Australia are, as well. I don't think I ever really saw a lot of fights growing up. I think it's hard to get people in Australia angry and want to fight, minus one or two people in the media... but we won't say any names.
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The death of chief justice Rehnquist and the president's nomination of John Roberts raises the stakes for the court and the American people exponentially.
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I remember in the '80s, Randy Travis was my guy. He's the reason I moved to Nashville, and I just loved him. But at some point when he was winning everything, you find yourself pulling for other people.
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I have no regrets. I wouldn't have lived my life the way I did if I was going to worry about what people were going to say.
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My favorite thing about being an actor is that I get to be so many different people in one lifetime. You sort of get to be all of these different characters.
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I want to describe the psychological state of the people in a certain city.
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I think what made it difficult for people to get, and still makes it difficult for people to get, is the theatrical nature of the work and the fact that, my music doesn't exist without the performance-art element.
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I wish people would be a bit more aware of how their actions affect everyone around them.
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To have a relationship that is pure and passionate and beautiful - I think people are scared of having that now. Especially guys.
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Cinema is a thankless industry where sometimes to appear on the cinematic scenery is a thing for late bloomers and people who are very patient. The places are accounted, and the space is often unwelcoming. Money is rare, and independent voices are muted by the almost complete absence of risk takers.
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People kind of have a misconception, because when someone calls me Theo and I correct them, say, 'No, my name is Malcolm,' they think I have an attitude about it and I don't want to be associated with the show.
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Second, we also got a more authentic liturgy of the people of God, in the vernacular language.
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I don't attempt to make people uncomfortable; I think that my standards in terms of art and journalism always have necessitated my discomfort.
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I think at Le Cirque I learned how to make real food, which is what people crave, not just gimmicky things on a plate.
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I have never been depressed or thrown a plate, which I attribute to the cathartic effects of writing books about people whose lives are more grueling than mine.
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Either you've got the bug, or you haven't. There are many things I'd rather be doing than writing a book.
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I take great pride in the artistic development of cartoons. Our characters are made to go through emotions.
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When you're playing Marilyn Monroe, you have a responsibility to look and sound like her that you don't when you're playing people who weren't ever in the public eye.
