Keith Richards Quotes
Quotes to Explore
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I've never seen anyone die. It's hard to imagine what it would be like.
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Seventy years old! How did that happen? I was part of the generation that wasn't going to die.
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In some Old Testament books, it's very evident that an editor has been at work. That's quite all right. It's part of the process.
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To die is different from what any one supposed, and luckier.
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Only put off until tomorrow what you are willing to die having left undone.
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The only thing that is real is the being in you that is going to die.
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Old habits die hard. I don't like spending money willy-nilly.
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However and wherever we are, we must live as if we will never die.
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I came to Hollywood determined to follow in Jean Harlow's footsteps, but I was determined not to die young. My hope was to endure. And endure I have.
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I grew up with all these old jazz guys in the '70s in L.A., and they grew up idolizing Charlie Parker, Charles Mingus, Lester Young - all of these incredible musicians.
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Live fast, die young.
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It brings up happy old days when I was only a farmer and not an agriculturist.
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The Ancient Mariner would not have taken so well if it had been called The Old Sailor.
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I believe that we should die with decency so that at least decency will survive.
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To retire is to begin to die.
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They had to start shaving my chin when I was 12 years old because light started to pick it up.
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Don't let the secret recipe die with the inventor.
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No, my father passed away when I was 13 years old. I was very young.
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I was influenced by European movies, old Fellini, old Kurosawa - any sort of foreign film.
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What you think now about the cross of Christ, I cannot tell; but I can wish you nothing better than this - that you may be able to say with the apostle Paul, before you die or meet the Lord, 'God forbid that I should glory, save in the cross of our Lord Jesus Christ.'
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I think a lot of people feel that they are just not listened to, and that the politicians in Washington are just playing games with each other and forgetting about their constituents.
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I was a strange, loud little kid who could sit at the piano and kill a Beethoven piece.
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The way Fatboy Slim layers motifs is the same as 18th-century baroque counterpoint. You have an idea, then you have an answer to the idea in another voice, then you have a counter idea accompanying the original idea, and you build up your texture like that. I'm really into Kruder and Dorfmeister at the moment, and they do the same thing.
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Nobody wants to get old, but nobody wants to die young either.
