Keith Richards Quotes
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Yes, I've been trepanned. That's quite an interesting experience, especially for my brain surgeon, who saw my thoughts flying around in my brain.
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You've got the sun, you've got the moon, and you've got the Rolling Stones.
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Rap - so many words, so little said. What rap did that was impressive was to show there are so many tone-deaf people out there. All they need is a drum beat and somebody yelling over it and they're happy. There’s an enormous market for people who can't tell one note from another.
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About myself I have no great illusions. I know what I am. I know what I'm good at. I know what I ain't. I'm always hoping to surprise myself. But I do have a love of music and I do love to communicate it, and that's the best I can do, really. And I can raise a good family, too.
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I mean, give me a guitar, give me a piano, give me a broom and string, I wouldn't get bored anywhere.
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Songwriting's a weird game.
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You don't start to play your guitar thinking you're going to be running an organisation that will maybe generate millions.
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Everyone talks about rock these days; the problem is they forget about the roll.
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It's basically against the whole idea of what always made rock&roll music interesting to me. I thought it was an unassailable outlet for some pure and natural expressions of rebellion. It was one channel you could take without havin' to kiss ass, you know? And right now it just seems like they're on a big daisy chain, each kissin' each other's asses.
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It's an addiction... and addiction is something I should know something about.
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I'd play whenever I could get my hands on an electric guitar; I was trying to pick up rock'n'roll riffs and electric blues-the latest Muddy Waters. I'd spend hours and hours on the same track, back again, and back again.
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I don't trust doctors. It's not to say there ain't some good ones, but on a general level, no, I wouldn't trust 'em at all.
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To me, as long as we've known each other, I've always thought Mick's most brilliant thing was that he could work in an area two foot square and give a very exciting performance.
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You didn't know whether Chuck Berry was black or white - it was not a concern.
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If you stay up, you get the songs that everyone else misses because they're asleep.
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The thing about being a songwriter, once you realize you are one, is that to provide ammo, you start to become an observer. ... You're constantly on the alert. That faculty gets trained in you over the years: observing people, how they react to one another, which in a way makes you weirdly distant. ... It's a little of Peeping Tom, being a song-writer.
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I don't like to go into the studio with all the songs worked out and planned before hand ... you've got to give the band something to use its imagination on as well. That can make a very ordinary song come alive into something totally different ... the X-factor - so important in rock and roll - which is the feel.
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And it was a very, very fruitful and great relationship between the Stones and The Beatles. It was very, very friendly.
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The Beatles were basically a vocal band.
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I look for ambiguity when I'm writing because life is ambiguous.
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Songwriting's a weird game. I never intended to become one - I fell into this by mistake, and I can't get out of it. It fascinates me. I like to point out the rawer points of life.
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There's no substitute for live work to keep a band together.
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When I listen to what I did under the influence - 10 years of work - I don't think it either enhanced or impaired me. It didn't have that much to do with it.
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Give me a guitar, give me a piano, give me a broom and string; I wouldn't get bored anywhere.