Berthold Auerbach Quotes
Quotes to Explore
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For 120 minutes, 'Birdman' floats from comedy to surrealism to high drama to quiet brilliance. I felt so inspired by watching this movie. It reaches for the sky and never comes back down to earth.
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As a songwriter, pop music really is a love and a joy and a science, and I feel like a lot of people look at pop music with a very formulaic perspective in numbers and patterns, but an outsider would think that the process is very natural.
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Nothing is certain in life but death and taxes. And in Donald Trump's case, lies.
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I like playing sort-of-crazy people. There's something really, really fun about that.
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Among irrational animals the love of the offspring and of the parents for each other is extraordinary because God, who created them, compensated for the deficiency of reason by the superiority of their senses.
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It's not about 'succeeding,' but sometimes on a film, you know you've captured something.
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I never felt a need to manipulate my career from the outside - try to be someone I wasn't to get ahead.
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Genetically modified organism (GMO) foods are feared and hated by environmentalists and the public alike. Yet the scientific assessment of GMOs is remarkably different. Every major scientific evaluation of GMO technology has concluded that GMOs are safe for human consumption and are a benefit to the environment.
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When we show up in a city, we ask, 'Where's the best restaurant? What's the best beer?' You start doing that, and you get exposed to a lot of great stuff.
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If history and science have taught us anything, it is that passion and desire are not the same as truth.
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I think some combined pressure could go a long way, could establish the fact that this legislation did pass and we mean business by it. We mean to have it enforced, we mean to have it become effective.
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When the audience enjoys your performance, you feel like a magician who is doing magic. It's a great feeling!
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I don't think that my work is very moralistic - at least, I try to avoid that. I grew up with that sermonising tendency, and I don't think visual work operates like that.
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Art is that which comes to a man, and stands between himself and an implacable witness: the work.
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Everyone should change; otherwise, you can't grow as a person in life.
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I like music that's more offensive. I like it to sound like nails on a blackboard, get me wild.
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When I first went to 'National Geographic,' I thought I was the least qualified person to step through the doors. But because of my parents and the culture of continual learning they imposed on us, I later came to believe I was the most qualified person who ever worked there.
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When you go somewhere like Kenya and you see how the children don't have pencils and pens, and all of these things are considered luxuries, and what a privilege they see education as and how hungry they are to learn, I wanted to give my brother and sister long lectures. That definitely stayed with me.
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I don't really ever think about whether or not I like the characters I'm playing. I'm more into the minutiae of their behaviour or what they're doing in a certain scene.
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Hard work certainly goes a long way. These days a lot of people work hard, so you have to make sure you work even harder and really dedicate yourself to what you are doing and setting out to achieve.
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When the basic status of a theory is clear, and all that needs to be cleared are details, you can collaborate. But if the main structure of a hypothesis isn't established, and you want to change the paradigm - like it was the case in the 1960s - it's better to work alone.
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Popular culture as a whole is popular, but in today's fragmented market it's a jostle of competing unpopular popular cultures. As the critic Stanley Crouch likes to say, if you make a movie and 10 million people go see it, you'll gross $100 million - and 96 per cent of the population won't have to be involved. That alone should caution anyone about reading too much into individual examples of popular culture.
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Being alone when one's belief is firm, is not to be alone.
