Eugen Berthold Friedrich Brecht (Bertolt Brecht) Quotes
Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.
Quotes to Explore
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Immortality is really desirable, I guess. In terms of images, anyway.
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In politics people give you what they think you deserve and deny you what they think you want.
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I'd just play 'til my hands fell off. My parents would yell at me to stop because they couldn't stand the noise any more! I was terrible! It must have been hard for them to listen to me as a beginning drummer.
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I'm a night owl for sure. I was born at 1 A.M., and that's the excuse I use.
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I was always interested in the kind of history they didn't teach you in school.
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I am not an enemy of the Negro. We want him here among us; he is the only laboring class we have.
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Theatre, when it is at its best, takes a lot of beating - the live experience and the shared collective experience of live storytelling is really special when it is good. Particularly here in New York because the audiences are amazing, very vocal and very engaged, and that makes theatre very exciting.
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Team members need to learn to leverage one another, and that doesn't happen over a golf game or on a phone. It happens by getting together and taking the time to know each other.
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I think the government must recognise that the wounds of conflict are even more grievous on the mind than the body, and indeed may even serve to fuel further conflict. Where conflict cannot be avoided, provision of adequate psychosocial services to prevent the adverse mental health consequences should take priority.
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The bird is powered by its own life and by its motivation.
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Unless and until you inspire the people, you will not get results. Imposition will never give you the results. Inspiration will always give you the results.
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I get the feeling that people from outside the world of contemporary art see it as deserving of mockery, in an emperor's-new-clothes sort of way. I think that's not right and that it's just because they don't understand the discourse.
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Understanding the importance of evolving is very important. Reinventing is very important. To break what you have already done is very important. That growth should never stop.
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I go to all these photo shoots, and each time I figure out something new about myself and what I want to wear.
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I wanted to get a cropped hairdo, but Sreenu Vaitla loves my look in 'Chiruta,' so he suggested that I keep the long hair.
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Many people have been getting too casual about climbing Everest. I forecast a disaster many times.
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I can change a light fixture, and I can do certain things. But I'm really bad in terms of construction. I can't do any of it on my own.
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Ten years ago, it was really difficult for a young actress to walk onto a set and disagree with the director and having that be OK and have a conversation about it and everyone be cool with it.
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I've been writing music since 4th grade, and I love putting words together and expressing things in a way that you can move your head to and you can really relate to, because I have a lot to say.
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He who writes badly thinks badly
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I'm far from being a homosexual.
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I was not very strong growing up, and my uncle used to look at me, like, 'This kid is not growing up, he is growing tall but he can be broken like a banana.' The banana in Congo is called 'Dikembe.' So my uncle start calling me, 'Dikembe, Dikembe, look at you Dikembe, you cannot even stand up.' It took a long time for me to walk.
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I want to create an environment where I can create technology, get it into the hands of someone to market it, and move on to other technologies so I can keep innovating. I want to be a serial entrepreneur: Incubate an idea, get it to a good state, and make that an enabler to get to the next state. It's every researcher's fantasy.
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Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.
