Fanny Kemble Quotes
An actor's life is the shadow of a cloud, the echo of a sound, the memory of a dream, nothing come of nothing. The finest actor does not create, he is but a translator of another man's work.

Quotes to Explore
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When history looks back, it will prove what I'll die knowing.
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When you write, you don't have the social constraints of having people in front of you, so you talk about abstract matters.
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I've always been a history lover. I've spent a lot of recreational time walking around historical castles and estates, in Britain and Europe, and so I know what the real thing looks like.
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I've been very fortunate with my three spec scripts - which is sort of my thematic trilogy of the American Frontier. With 'Sicario', 'Hell or High Water' and then 'Wind River' - which is the third - there were no rewrites. It was the first draft for all three.
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I don't think a lot of actors talk about it, but there's usually a process where you essentially purge yourself of the character that you played prior to the movie.
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I don't get acting jobs because of my looks.
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If you do not conquer self, you will be conquered by self.
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It's funny, I was talking to somebody who writes for a cop show, and he was saying how they aren't allowed to acknowledge Christmas, Thanksgiving, Valentine's Day, just because it has to be able to play forever.
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I think in general, lines are a bad idea. Especially if they sound like lines. Everyone's immediate reaction is to just kind of cringe a little bit.
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I always try to keep one very feminine quality to my style.
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If you're a basketball player, you've got to shoot.
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It is good to be solitary, for solitude is difficult; that something is difficult must be a reason the more for us to do it.
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Lastly, his tomb shall list and founder in the troughs of grass. And none shall speak his name.
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When you grow up in the country in France, you have small horizons.
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After the Soviet Union collapsed, people thought I wasn't funny anymore.
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We tried to make a movie that had sex and violence because we like sex and violence.
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Some things are really sacred and important to other cultures, so you have to be aware, politically, about those things before you just adopt them.
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History, whether sacred or profane, hides her teaching from those who study her through coloured glasses. She only reveals truth to those who look through the cold clear medium of passionless inquiry, who seek the Truth without determining first the masquerade in which alone they will receive it.
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I always wanted to be with a woman who has the same mindset and wants to look after me like my mum.
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I love yoga, but the namaste thing only takes you so far.
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I find that with dance - and with the arts in general - because I want to grow in my performance, I have to come face to face with my own personal challenges.
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The more that I can work in different mediums, the more I can grow, and learn from different actors and different types of actors and directors and different styles of acting and build a tool box.
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I imagine the life of an atheistic praying mantis to be rather torturous.
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An actor's life is the shadow of a cloud, the echo of a sound, the memory of a dream, nothing come of nothing. The finest actor does not create, he is but a translator of another man's work.