Fanny Kemble Quotes
An actor's life is the shadow of a cloud, the echo of a sound, the memory of a dream, nothing come of nothing. The finest actor does not create, he is but a translator of another man's work.
Quotes to Explore
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When history looks back, it will prove what I'll die knowing.
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When you write, you don't have the social constraints of having people in front of you, so you talk about abstract matters.
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I've always been a history lover. I've spent a lot of recreational time walking around historical castles and estates, in Britain and Europe, and so I know what the real thing looks like.
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I've been very fortunate with my three spec scripts - which is sort of my thematic trilogy of the American Frontier. With 'Sicario', 'Hell or High Water' and then 'Wind River' - which is the third - there were no rewrites. It was the first draft for all three.
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I don't think a lot of actors talk about it, but there's usually a process where you essentially purge yourself of the character that you played prior to the movie.
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I don't get acting jobs because of my looks.
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If you do not conquer self, you will be conquered by self.
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It's funny, I was talking to somebody who writes for a cop show, and he was saying how they aren't allowed to acknowledge Christmas, Thanksgiving, Valentine's Day, just because it has to be able to play forever.
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I think in general, lines are a bad idea. Especially if they sound like lines. Everyone's immediate reaction is to just kind of cringe a little bit.
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I always try to keep one very feminine quality to my style.
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If you're a basketball player, you've got to shoot.
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It is good to be solitary, for solitude is difficult; that something is difficult must be a reason the more for us to do it.
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Lastly, his tomb shall list and founder in the troughs of grass. And none shall speak his name.
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When you grow up in the country in France, you have small horizons.
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After the Soviet Union collapsed, people thought I wasn't funny anymore.
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There's nothing wrong with being fired.
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Jerusalem is united, will never be divided again.
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We tried to make a movie that had sex and violence because we like sex and violence.
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When we look at a thing, we must examine its essence and treat its appearance merely as an usher at the threshold, and once we cross the threshold, we must grasp the essence of the thing; this is the only reliable and scientific method of analysis.
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It's hard to say whether the general incidence of school violence of all types is increasing or not.
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When I sent those scripts, that was the lowest point of my life. We'd just had our second son, and when I went to collect them from hospital, I went to the bank to try and get some money to buy some diapers, the screen showed I've got $26 left.
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But life isn't hard to manage when you've nothing to lose.
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When I was starting out, conceptual photography had become something that had to be amateur - like, that had to be black-and-white, or photocopied, or really not an object in order to be taken seriously. It had to work against technical mastery, and so on. So I think that my work is full of obstacles in the sense that it does look highly familiar and accessible. It does look like it's already "solved at first sight." It does look like it's part of a larger industry.
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An actor's life is the shadow of a cloud, the echo of a sound, the memory of a dream, nothing come of nothing. The finest actor does not create, he is but a translator of another man's work.
