Trent Reznor Quotes
Quotes to Explore
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'Badlands' is a very tangible record; a lot of the sounds were actual things: they were pots and pans, and they were rocks, and they were voices,and instruments used in a way to create a landscape of sound.
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I'm not into the whole showbiz scene.
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I hate the way chorus boxes sound.
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Even though I know who I am, musically I'm a blank canvas. I know what colors I want to use, but I don't know what picture I want to paint yet.
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I read Carver. Julio Cortazar. Amis's essays. Baldwin. Lorrie Moore. Capote. Saramago. Larkin. Wodehouse. Anything, anything at all, that doesn't sound like me.
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My sound is, at its core, a mix of things. Definitely an imperfect mix, but one that incorporates elements of the music I love - a bit of indie rock, super rhythmic rapping, and lots of synths.
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I am shocked that Republicans can't explain why our technological and economic advantages are the result of sound monetary and economic policy.
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There is a lot of melody and things that sound familiar in hundreds of songs.
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The sound of the '90s, to me, is a combination of soul and street - it's a feeling.
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But it's like the horror of being in a studio with a blank canvas. I used to always run out of ideas because there are so many possibilities and I would just think, well what am I going to do now!
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I'm not particularly interested in painting, per se. I'm interested in a painting that has that mysterious life to it. Anything that doesn't partake of that magic is halfway dead - it returns to its physical elements, it's just paint and canvas.
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Music is what our feelings sound like.
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Cover the canvas at the first go, then work at it until you see nothing more to add.
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I love the sound of Elmore James, the sound early guitarists like him got just by using minimal means.
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Shania Twain brought a whole other fan base to country music with her sound, the way the videos were produced.
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That rockabilly sound wasn't as simple as I thought it was.
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I try to find 15 minutes a day to just be alone without any distractions just for headspace to meditate and get my Zen on. I think that helps me get through the hecticness of the day on tour with the interviews, the sound check, the meet and greets, the show and the post-show meet and greets.
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A real New Yorker likes the sound of a garbage truck in the morning.
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As a viewer, that's work I respond to - work that I know is singular in some way. If I'm being challenged by something on screen, if I don't quite know why it's happening, I want to know I can do the work of pulling it apart and that there'll be something satisfactory about it. If the architecture is sound, you can be lyrical in execution.
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I'm still trying to keep it original, staying true to my sound.
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I'm in love with a lot of things. Some of those things love me back. And some of them don't - and one of them is Radiohead.
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We all have memories that are malleable and susceptible to being contaminated or supplemented in some way.
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I've got a canvas, I've got a scene, let’s fill that with sound.
