Mario Puzo Quotes
Quotes to Explore
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Though many people said there is no joint border between Turkey and Montenegro, it feels like we are next to each other. We are in the same neighborhood.
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I don't need to be motivated by anybody. Never have.
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Indeed the three prophecies about the death of individual art are, in their different ways, those of Hegel, Marx, and Freud. I don't see any way of getting beyond those prophecies.
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Vinyl is democratic, as surely as the iPod is fascist. Vinyl is representational: It has a face. Two faces, in fact, to represent the dualism of human nature. Vinyl occupies physical space honestly, proud as a fat woman dancing.
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The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
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I hate being manipulated by song. Don't tell me what I should be feeling. I don't want cellos or violins to be telling me that I should be bawling right now.
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There is a very thin line between confidence and arrogance.
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Do you know what I love about hunting? That I am no one in the woods, no one at all. I thought the animals might recognize me, but they didn't. They did not even ask me for any autographs.
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When I was releasing EPs by myself, I was generating royalties. And when I signed, I thought I'd put those royalties into other artists. And interestingly, streaming is most of the income for those artists.
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The highest percentage of African Americans own their own homes today than ever in our nation's history.
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I was a kid living in New Jersey, who – I'd wanted to make movies since I was a little kid, so that came before music for me. But I started playing drums just as a hobby, and I wasn't even really into jazz that much.
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If there was a way to discourage trash constitutionally, I would sure as heck take a hard look at it. I don't think there is. So I don't think there's a choice here.
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I think the reaction to a World War II situation would be the same today as it was in 1942. Initially, people would question, but once patriotism got stirred up, the whole thing would gather momentum and we'd all pull together.
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I was willing to accept what I couldn't change.
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My own idea is that these things are as piffle before the wind.
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The true doctrine is that labor - systematic, effective, congenial labor - is not only a necessity, but is the source of the highest enjoyment.
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The days of the painter at the Bauhaus appear to be truly over. They are estranged from the actual core of present activities, and their influence is more restricting than inspiring.
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Christ beside me, Christ before me, Christ behind me, Christ within me, Christ beneath me, Christ above me.
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I never thought television would or could be a long-term commitment.
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All performances are different. I don't think it's necessary to compare one with another. I am just me playing the role of Lear. You're bound to get a Holm approach to it, whatever that may be. I just got out there and did it. I'm very much a doer in my acting.
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At a certain point, Mike Tyson and I reacted to violence a little differently. I was afraid to leave my house for three years while he became the heavyweight champion of the world. The thing was, at first, we reacted to it the same way, and our cowardice and trauma defined us.
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For me, to be in a place where I'm on the 'favourite' list of top directors I like, that's being number one. There is no other definition to me. It's not money; it's not how many songs you're seen in or how many clothes you're changing in the film.
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The Cold War was a boring thing. Nobody gets better for it. Tremendous money is wasted. Our lives get more difficult. We look at each other as enemies. What's good in that? In any case, I will do anything in my power in order to stop another Cold War, with the U.S. or any other country in the world.
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Friendship and money: oil and water.
