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South America was not really that open - you had to fit in, and I didn't fit in. I was different - my tastes, my point of view - were a bit weird, and I found in Britain a sense of calm, that I could just be.
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Some things happen by accident - embrace them.
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My pictures are my eyes. I photograph what I see - and what I want to see.
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At the beginning of my career, as a boy from Peru in London, suddenly discovering British culture and society, I looked so much at the work of the photographers Cecil Beaton and Norman Parkinson, which seemed to represent a wonderful vanished grandeur of my new country.
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I am trying to capture the women I photograph at their happiest. That is when they look their most beautiful. But I do understand that you have to make somebody feel completely comfortable in order to bring that out.
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England gave me a chance. It's a very individual country where people have a personal style; they don't all follow a trend. The subtlety and wit of England is incredible, and they are very creative.
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I studied law, economy, international relations, communications, in order to find what I would do. It's the hardest thing, being 17 and trying to find what to do in life. You've explored so little. I'm lucky: My parents let me explore.
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I'm really in no one city more than two months during the year. I'm constantly having to readapt my eye to new locations.
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I adore being able to go to the Oscars and know every single person at the party afterwards.
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I have no real training in the history of fine art or furniture; my eye just works by proportions. I react intuitively. In London, it's all about color because the weather is so gray, and in that cold light they look beautiful.
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Being Peruvian means to come from the farthest place possible to get to Europe. Peru is the land of the Incas. It was the capital of South America; it was where the Spanish founded their empire and took over the Inca Empire and made it into a colony of Spain.
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A lot of fashion photographers will do the same sort of image for many years; it's easier to be successful if you do that.
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I've always had an affinity with women. It probably started with my mother when I was young, but it was intensified by my sister, Elena, who is one year older than me. I used to hang out with her all the time, and whenever I travelled, I used to buy her clothes and style her.
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Some people strive for perfection, but I often find perfection boring.
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I am obsessed with people and how to make them look their best.
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The year has 365 days, and I want each and every one of them to be exciting.
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My favourite words are possibilities, opportunities and curiosity. I think if you are curious, you create opportunities, and then if you open the doors, you create possibilities.
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My favourite subjects at school were algebra and logic: making a big problem into something small.
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At the end of the '90s, I was very bored with the usual models, so I discovered a new generation that impressed me with their fresh look. I still keep working with models like Gisele Bundchen and Kate Moss, and I am still looking for new, interesting faces. Life is about discovery, and you should never stop searching.
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There are never any absolutes in the fashion business: one day you may like black, and the next day you like colour. I think it's a good lesson that we should never believe too much in any one thing - because the next day it's out, and if we're stuck to it, we're out, too.
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My original idea was to photograph Princess Diana in her tiara. But then I thought, am I interested in seeing another picture of her as a royal person, or would I rather see what she is actually about? And that's why I decided to do her without jewels, without shoes, without trimmings.
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Oh my God, the graduate shows in London are so important! I still remember going to see John Galliano's graduate collection - that was an event I'll never forget.
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There is something about Prince William and Prince Harry that brings real modernity to the British royal family. They are also very open, human, and kind, and this is what I have tried to capture in the pictures I have taken of them as well as in my pictures of Prince William and Catherine.
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At one moment, I thought that if I didn't do a picture in a certain way, then it wasn't a 'Mario Testino Picture.' And I've realized that Mario Testino is everything, Mario Testino is whatever he feels like being, because it always ends up looking like me, whatever I do.