Marion Cotillard Quotes
Michael Fassbender is just a creative force: he finds authenticity in singularity with what he brings, and it's always authentic. He doesn't try to be creative and different for the sake of it.
Quotes to Explore
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I now believe that major labels can only work with people who care more about fame and money than the quality of the art they produce.
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I am used to looking good. In a way, if I thought I looked like the back end of a bus, I probably wouldn't have done 'Strictly Come Dancing' and gone out there in public.
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I get homesick.
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It gets pretty boring when all you are is the support system for a male character.
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Privatization of the state-owned economy is not yet on the agenda. We cannot do it immediately; my colleagues would not agree to it. But we must put all forms of ownership on an equal footing immediately and let different types of ownership compete with the state firms.
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At the end of the day, you can't have a vision; you have to have a hope. This is where the miracle comes in.
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Arab-led Islamic fundamentalism destabilizes nations from Algeria to the Philippines.
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In my proper character, I am an officer of the United States Army.
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If wanted to play a sport, I played a sport. If I wanted to do things that many girls born in 1950 didn't do, I did it.
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Happiness is nothing but temporary moments here and there - and I love those. But I would be bored out of my mind if I were happy all the time.
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It doesn't matter to me if I'm in love with my performance, so I watch all of my performances to understand and learn from them and figure out what's working and what's not. And I see the movies that I'm in in the theater a lot.
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I have no idea what goes on in another person's mind. As a legislator, I need to be good at persuading people, counting votes and getting to 50 percent plus one. I don't go back and say, 'Why did this person get to the right position?' It's only, 'Are you yes or are you no?'
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To be half-naked for a Greek mythology movie, it's a piece of art. You know, there's nothing vulgar in there.
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I grew up in Deptford in south London, and at that time I used to wear toppers, loon pants and tonic suits from shops like Take 6 and Topman. I was a bit of a soul boy, but I had a very eclectic taste in music - I was into James Brown and Bowie; and I was the only kid in the neighbourhood who would also be listening to Chopin.
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'Baahubali's success augurs well for the Telugu film industry as a whole. It has opened up new markets.
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Why I got into music was James Taylor, so to see him be a real down-to-earth guy that's unbelievably talented... then to hear him sing those lyrics of 'What I'm Thankful For,' which is a song Ms. Yearwood and I got to write together, that was definitely a highlight of my recording life.
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At the risk of sounding like Virginia Woolf, I could live on £700 a year.
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I think media people know we're good at making content and how we can be smart about how to consume it. It's always a balance.
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Love is just such a crucial, wonderful thing, and if you are lucky enough to find somebody who genuinely loves you, grab that person and hold on to that person, and nothing else matters.
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Sometimes the proprietors of the little juke joints gave me a couple dollars. I loved that. I'd go back next Saturday.
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In many ways [those middle-aged black ladies] my touchstone, because they are what I meant when I talked about the audacity of hope.
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Some people didn't like the novel, it is in some ways extremely bleak. But if you are dealing with the kind of subjects I am - trying to demystify the delusions we have about ourselves, to get a more accurate fix on human nature - then people are unsettled. And the easiest way to deal with that is to say it's weird or it's cold.
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The U.S. prison system, over all, disproportionately affects black and brown people, but people of color are overrepresented to a greater degree in private prisons.
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Michael Fassbender is just a creative force: he finds authenticity in singularity with what he brings, and it's always authentic. He doesn't try to be creative and different for the sake of it.
