Marjane Satrapi Quotes
People are so afraid to say the word 'comic'. It makes you think of a grown man with pimples, a ponytail and a big belly. Change it to 'graphic novel' and that disappears.
Quotes to Explore
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I don't have traceable literary models because I haven't had great literary influences in my life.
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I didn't have a long-term plan or goal. If there would have been a road map showing me the way to my dreams becoming reality, I might have given it a second thought.
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We have a president who stole the presidency through family ties, arrogance and intimidation, employing Republican operatives to exercise the tactics of voter fraud by disenfranchising thousands of blacks, elderly Jews and other minorities.
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I actually buy the paper version of The New York Times maybe once or twice a week.
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In law school, I earned the respect of professors and served on the editorial board of 'The Yale Law Journal.'
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Reverence is fatal to literature.
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Complete abstinence is easier than perfect moderation.
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I've pretty much behaved like a knucklehead my entire life.
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I think that we, as a civilization, need to sit down and figure out how to solve political problems over a table, not over a battlefield.
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Although children are only 24 percent of the population, they're 100 percent of our future and we cannot afford to provide any child with a substandard education.
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I think most people that are looked upon as doing something daring don't necessarily think of it that way-they do what they have to do.
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It is not known, now, for what length of time the Tuatha de Danaan had the sway over Ireland, and it is likely it was a long time they had it, but they were put from it at last.
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If we mean to have heroes, statesmen and philosophers, we should have learned women.
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GIS started on mainframe computers; we could get one map every five to 10 hours, and if we made a mistake, it could take longer. In the early '90s, when people started buying PCs, we migrated to desktop software.
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All peoples are entangled in the net of the world market.
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Written and directed by French showman Georges Melies, 'Le Voyage' features one of the most indelible images in cinema history: the wounded Man in the Moon bleeding like a particularly runny Brie, grimacing in pain with a space capsule protruding from his right eye.
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There are a lot of historical novelists who do the research about the clothes and maybe even the eating utensils, but they're basically taking modern people and putting them in old drag - it's sort of the 'Gone With the Wind' approach.
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We are all human beings, and our nationality is simply an accident of birth.
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A lot of times, the choice of the right song will save a scene. Or there will be a scene that's a little flat and you put in the right song and somehow it just comes alive.
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Filmmaking is a much more collaborative thing than literature, so you know you're going to be working with a group of people at the start. You know it's going to be a compromise.
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Sometimes people credit me for the Tea Party. It's actually the other way around.
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There's no way a photograph has to look... in a sense. There are no formal rules of design that can apply.
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People are so afraid to say the word 'comic'. It makes you think of a grown man with pimples, a ponytail and a big belly. Change it to 'graphic novel' and that disappears.
