Dan Marino Quotes
Quotes to Explore
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All the girls today want to be famous, but they haven't earned their spurs.
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But in Japanese, there's actually not much of a relationship between the music and the words.
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I had long had an instinct about there being a role for me in a creative industry. Maybe I didn't listen to that voice as much earlier on, but when it had become a deafening sound in my head I realised I had to go and explore it.
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I have learned to be patient.
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I don't see myself as ever being like anybody else.
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I've never been far from the river. I'm sort of like a Thames-nymph.
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The hand cannot reach higher than does the heart.
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Primarily I'm a meat man, although once in a while I toy with a few vegetables.
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I didn't know anything about writing a screenplay, but somehow I ended up rewriting a screenplay.
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A weightlifter should be able to do everything and borrow things from other sports to beat competitors.
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Every guy should be the owner of a really nice pen. When you put your thoughts down, or whenever you're going to share something with someone, it means something if it bleeds out in a nice ink.
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I went to New York City to Columbia University, and with the first directing exercise, I knew I was a director.
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It's hard for me to even watch comedies I'm in.
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None are more taken in by flattery than the proud, who wish to be the first and are not.
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I have the potential to be very strong and powerful, sometimes angry, sometimes passionate. I also can be shy and withhold that because I am afraid. I don't want to freak anybody out with my passion... So I struggle with that all the time.
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When I'm actually writing by hand, I get more of a sense of the rhythm of sentences, of syntax. The switch to the computer is when I actually start thinking about lines. That's the workhorse part. At that point, I'm being more mathematical about putting the poem on the page and less intuitive about the rhythm of the syntax.
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Throughout history, clothes represented who you were; they are a great vehicle for explaining who you are. During the Ching dynasty, for example, what you wore and how it was made reflected your status in society. People could literally read your clothes like a book, just by its color and how it was embroidered.
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I have nothing against the veil. And I think that, wrongly, many in the West look at the veil as a symbol of oppression. Now, as long as a woman chooses to wear the veil, because that's her belief and because of her own - that's a personal relationship with God, so she should be free to dress in whichever way she wants.
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I actually think one of my strengths is my storytelling.
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I think 'Dear White People,' the show, is a tremendous artistic achievement. It's always hinting that there is something beyond the pleading and wokeness, something that the show's more militant characters can't see.
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There's something so great about being with your nephew and, when you're tired, just handing him off back to your sister.
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I was the first African-American woman to play Maggie in 'Cat on a Hot Tin Roof.' It was at the Virginia State Theatre, and we turned Richmond upside down.
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I think I'm going to be around awhile.
