Nicholas James Murphy (Chet Faker) Quotes
Music to me is about being honest, and it's what I've always pictured music as. I don't see the point of expressing yourself if you are going to be cryptic about it.
Quotes to Explore
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The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
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Well, we like to let down our hair and pep it up at the dances, but we keep it slower when we broadcast. We have to please everybody, and that softer music appeals to the larger amount of people. It's like eating too much cake. You have to have your steak too.
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I actually spend very little time listening to any new music.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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There's so much music in Austin, and it's all so different.
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With Ghost Tunes, you just try to do what's right. And what's right is whatever the copyright owner wants to do with their music, they do it.
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I guess my favorite artists are The White Stripes or Tom Waits. The more theatrical the music is, the more I get into it. I also like the quieter folk music, that kind of old-school rockabilly or country. I'm not really picky when it comes to music, as long as it's honest.
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Music is the best means we have of digesting time.
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Japan has really great fans for all kinds of music. I think they're keeping metal alive.
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My music is a little dark, and my lyrics are a little darker. Every day, I'm fighting towards the light.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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Music is what our feelings sound like.
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Maybe in music you're making an auditory environment and maybe you change your environment around you to suit your own way.
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It was a privilege to direct the music video for Adele's beautiful, heartbreaking song, 'Hello.' When I first heard it, all the images appeared clearly in my head - and her trust and generosity allowed me to work with abandon artistically and emotionally, like she always does. It made me extremely proud.
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The thing with me is, about that - about rock and all that - years and years of crate-digging, listening to old music, you kind of start to connect the dots. And I was seeing the thread that was connecting everything together, which is pretty much the blues. And everything soul or funk kind of starts with that.
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My music is a luxury.
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It is a coincidence that Mathangi is the Goddess of Music and the spoken word, which can be rap.
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The course hitherto pursued in musical aesthetics has nearly always been hampered by the false assumption that the object was not so much to inquire into what is beautiful in music as to describe the feelings which music awakens.
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I've always been a strategy kind of guy. I like laying things out and having a plan. Maybe not always a plan, but an approach and a vibe.
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The best comedy and horror feel like they take place in reality. You have a rule or two you are bending or heightening, but the world around it is real.
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A fanatic is a man that does what he thinks the Lord would do if He knew the facts of the case.
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I experienced the California Northridge Earthquake of 1994 and the eruption of Mount St. Helens in 1980, and I have thus seen firsthand how terrible and awesomely devastating a force of nature can be.
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Music to me is about being honest, and it's what I've always pictured music as. I don't see the point of expressing yourself if you are going to be cryptic about it.
