Carlisle Floyd Quotes
It's amazing how fast generations lose sight of other generations. One of the first things the young composers who come to work with me say is that they want to write music people will like, instead of gaining their credentials by being rejected by the audience.
Quotes to Explore
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Good music is good music, regardless of where it comes from. I think that's a really important thing to carry with you.
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I wanted to bring back that big, ballad type of music that we used to love so much. Whitney Houston, Mariah Carey, when they first came out, that's what I grew up singing.
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Of course people think Washington is arrogant. It is.
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I think the most successful are the most paranoid. The first thing people do when they buy a mansion is they build the biggest wall you could possibly build around it. What happens is, now you become a target. If I go into the hood, I'm at a disadvantage. They could carry guns. I can't. They can hit me in the face. I can't.
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I live a half mile from the San Andreas fault - a fact that bubbles up into my consciousness every time some other part of the world experiences an earthquake. I sometimes wonder whether this subterranean sense of impending disaster is at least partly responsible for Silicon Valley's feverish, get-it-done-yesterday work norms.
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There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.
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All the actors I respect, especially old-Hollywood actors, the reason I think so many of them have had long careers is that there is a sort of mystery about them. You don't know what they do on Friday nights when they go home from work. You have no clue. You have this sort of fantasy about them.
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I want to work with producers who are unique and have a different sound.
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The way I'm portrayed on the Internet is partly my doing, but it's partly the people that are presenting it so, you know, people come to know this strange version of a human. It can be pretty weird because people think I'm digging through dumpsters and smell like crap all the time.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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I cannot imagine a more enjoyable place to work than in the Laboratory of Molecular Biology where I work.
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Music is the best means we have of digesting time.
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My children and my husband make me smile. My work makes me smile.
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I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.
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I would recommend going out for more independent films. You can get bigger roles and really work your acting chops and build a reel.
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I always say, one way to connect with a working mother is to ask her what she has done before work that day!
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People who run a ready-to-wear company are businessmen rather than production or design people.
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I skate just to satisfy my own desire and not care about other people's desire for me to do well.
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I really believed music was going to be a big part of my future, and that's why I took a truck driving job, so I could maintain my singing job at night. I put about 30 hours a week just for singing, going between two churches. And in order to afford that, I had to take a full time job so I could do my passion.
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Age discrimination is illegal. But when compared with discrimination against racial minorities and women, it is a second-class civil rights issue.
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The people who are writing online and the people in my genre of creative non-fiction exert a great deal more freedom that journalists are allowed to exert in their day-to-day work.
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I feel like I've matured more musically than I have personally. But I totally embrace what becoming older has to offer. I find the wisdom that comes with each passing year is a trip.
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I would definitely like to start working with more people over age 7.
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It's amazing how fast generations lose sight of other generations. One of the first things the young composers who come to work with me say is that they want to write music people will like, instead of gaining their credentials by being rejected by the audience.
