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I like to work out every day, so that takes up some time.
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People go surfing before work and paddling afterward. My husband is from Wisconsin, and he goes to work in his Hawaiian shirt.
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For my 11th birthday, I asked to be adopted.
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I wasn't creative enough to imagine my first novel becoming a film directed by Alexander Payne. Nor did I consider the possibility of seeing Hollywood stars moving through my personal version of Hanalei town: going to Tahiti Nui, rehearsing a scene in front of my cousin's cottages, driving the snaky roads.
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Jonathan Franzen seems like the grumpiest guy, and he doesn't seem to like much of anything, so I really don't care what he has to say.
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I always felt a little bit of an outsider, especially because I grew up on Oahu.
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Sometimes I loved the disruptive student in class who livened up lectures with wisecracks - it put a spin on things, added flavor, made me laugh. Other times, I wished the heckler would just shut up so I could learn something.
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Nothing has changed that much, even during filmmaking for 'The Descendants.' I wrote. I took the kids to school. I cleaned the house. And I had dinner with George Clooney.
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I've never gone back to the stacks after my book's expiration at the front of the store. Not because I'm above it or anything, but I'd be mortified if someone caught me looking for my own book.
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With families, no matter what kind you inherit, at some point you want to announce that you belong to it.
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In putting setting to work, I like to think about long shots and close-ups. The long shot is the overall view of the place in which the characters live - the island, the town, the wide sweep of place. Then we narrow in. The close-up, the tight focus, makes the place different from anywhere else.
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One day during filming, George Clooney was wearing his surf shirt and board shorts, and my six-year-old daughter was in the background as an extra, playing in the sand - playing herself. She and Clooney suddenly looked equally Hawaiian, equally related to the place I call home.
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Tragedy brings change, and that's what I'm interested in most - how people plunge into change and try to fight, then eventually move with it with grace.