Chimamanda Ngozi Adichie Quotes
While writing 'Half of a Yellow Sun,' I enjoyed playing with minor things: inventing a train station in a town that has none, placing towns closer to each other than they are, changing the chronology of conquered cities. Yet I did not play with the central events of that time.
Quotes to Explore
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I voted for Barack Obama.
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That a majority of the Abolitionists in this place would patronize a free labor store, in preference to others, I do not doubt; but we do not muster money in Cincinnati.
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I still have a fear of theater. I don't know if I will manage that. I used to do it. I developed a bit of a phobia. It's not a real phobia. I can go in and watch.
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For those unfortunate enough to experience it, long-term unemployment - now, as in the 1930s - is a tragedy. And, for society as a whole, there is the danger that the productive capacity of a significant portion of the labour force will be impaired.
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The old series of sittings with Mrs. Piper convinced me of survival for reasons which I should find it hard to formulate in any strict fashion, but that was their distinct effect.
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I don't think that I ever believed that poetry would be a career. I have always thought of poems as something more private than professional... I would never introduce myself as a poet. I will always have some other thing that I am.
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There are no opportune times for a penalty, and this is not one of those times.
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One of the things I took from my wartime experiences was that reality was a stage set... the comfortable day-to-day life, school, the home where one lives and all the rest of it... could be dismantled overnight.
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As an actor, you don't want to play a one-dimensional character.
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Frankly speaking, it's only the script that matters to me the most. If I like the script, then I just commit to myself and go ahead with it. But I also look at the commitment and confidence of the director of the film because it's him who will shape the film.
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I'm not a walking extra in a Chekhov play; I'm no Slavic gloom or Irish gloom.
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I grew up in a family where the women were just nuts. They didn't stand around in cardigans making polite conversation while they chopped tomatoes.
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I try to have fun with the fans, try to have fun.
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I don't get tired of my work because you can't get tired of something you love and enjoy! But, having said that, I wish to get a break of four to five days, or at least three days, switch off my cell phone, and do what I want to.
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All human beings are also dream beings. Dreaming ties all mankind together.
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Every country has the right to determine its own laws. And India can't afford monopolies.
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Life is a series of steps. Things are done gradually. Once in a while there is a giant step, but most of the time we are taking small, seemingly insignificant steps on the stairway of life.
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It's rare to see women in a film who are not somehow validated by a male or discussing a male or heartbroken by a male,or end up being happy because of a male. It's interesting to think about, and it's very true.
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When I step on the stage and sing 'Wait for It,' I'm singing that for everybody. I don't mean I'm singing it for them; I mean, you are their voice.
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To learn means by practice, by inquiring, by analyzing to find out what is, not what was.
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You know, your ears record. You might can sing a song once you hear it.
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I've used my time at 'GH' to learn some discipline.
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…surely that sneered-at suburban life was more stable than this shadow life…in a country where no involvement was possible…better than the sordid dalliance that soothed me after work?
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While writing 'Half of a Yellow Sun,' I enjoyed playing with minor things: inventing a train station in a town that has none, placing towns closer to each other than they are, changing the chronology of conquered cities. Yet I did not play with the central events of that time.
