Chloe Kim Quotes
I don't remember the exact moment I fell in love with snowboarding; it wasn't something cheesy like, 'Oh the wind was blowing through my hair and I just knew this sport was for me... ' I was good at it, and it's exhilarating!

Quotes to Explore
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It's interesting that one of the definitions of the word 'human' is 'sympathetic.' More and more people are beginning to show that they understand why that is important.
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My inspiration for writing is all the wonderful books that I read as a child and that I still read. I think that for those of us who write, when we find a wonderful book written by someone else, we don't really get jealous, we get inspired, and that's kind of the mark of what a good writer is.
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The mind moves in the direction of our currently dominant thoughts.
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I've matured since joining United, on and off the field.
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I don't pretend to be anything but an actor and a writer.
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The primary problem in many modernizing societies is not liberty but the creation of a legitimate public order. Men may, of course, have order without liberty, but they cannot have liberty without order.
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I like different statement jewelry, especially around the ears.
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Who am I? Not the body, because it is decaying; not the mind, because the brain will decay with the body; not the personality, nor the emotions, for these also will vanish with death.
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I like to razz the Trekkies a little bit. Who doesn't? It's trainspotting, isn't it? But they are very well-meaning, actually. I've done a couple of Star Trek conventions, and they've only been really welcoming.
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I would like to thank my colleagues for voting a Social Democrat prime minister and to assure them I will vote a liberal president, as well.
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The person who goes farthest is generally the one who is willing to do and dare. The sure-thing boat never gets far from shore.
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A standard line, promoted by people like Clement Greenberg, is that politics contaminates art, and Manet is often cited as an example of art for art's sake.
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To expect for me to be one-way every time you see me is to expect me to be a one-dimensional man, which I've never been. I've always applauded my efforts to be diverse and multi-faceted.
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My mother's kitchen was built to be the focal point of our house. I got into the kitchen often as a child.
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We served on the editorial board of a literary monthly called Face in 1968 and 1969. He was a young writer, and I was also interested in broad cultural issues. We agreed on all major issues and became friends.
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I still think of myself really as a New Yorker.
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How it happened that Mastro Cherry, carpenter, found a piece of wood that wept and laughed like a child.
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I hold this to be the highest task for a bond between two people: that each protects the solitude of the other.
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Inside each of us, there is the seed of both good and evil. It's a constant struggle as to which one will win. And one cannot exist without the other.
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I found an approach to investing that made enormous sense to me: rigorously analyzing a company's fundamentals, understanding exactly how it makes money, developing a view on the business's future prospects, and deciding if it's a good business.
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There's something about the Irish that is remarkable.
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There's been a progression in my sound.
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Sometimes I feel like I'm a contestant in a reality show that probably would be called The Apprentice Survivor Millionaire.
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I don't remember the exact moment I fell in love with snowboarding; it wasn't something cheesy like, 'Oh the wind was blowing through my hair and I just knew this sport was for me... ' I was good at it, and it's exhilarating!