Chris Bangle Quotes
Quotes to Explore
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It's fascinating to see actors who do voiceovers every day.
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If the spectrum linking everyday depression to Major Depression sometimes hinders understanding of it, it also offers an opportunity for empathy. Because almost everyone, at some point, experiences feelings of sadness, of hopelessness, of emptiness, not to mention lethargy and irritability.
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The difference between being a victim and a survivor is often a low level of situational awareness. You can't be a super-spy, watchful and paranoid every day. But I am more watchful than the average American.
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Every day it seems more likely that we are destined - or should one say doomed? - to replay the disastrous economic history of the 1930s.
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I love Katy Perry and Lady GaGa. I think GaGa's pushing the envelope every day and I really like that.
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I like to dress up every day, so I think fashion is an everyday process.
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I actually love doing period pieces, purely because it takes you into a different world, mentally. The clothes you have to wear are so far from our everyday clothes that it immediately helps with the character and putting you in that mind frame.
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Religious celebrations, and the good will, high spirits and generosity that mark them, are wonderful occasions for understanding the potential of 'everyday multiculturalism', and how people from diverse faiths can connect and show they care, rather than go down parallel, sometimes hostile, roads.
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Because I find writing painful, I try to get it over with as fast as possible. But I write every day, or I lose the thread.
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I have a need to play intensely every day, to fight every match hard.
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I follow politics very closely. I read several newspapers every day.
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Individual warrants every day are used to arrest dangerous people.
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I feel like I go through an awkward phase almost every day.
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When I was 17, I used to really think about what I wore every day.
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It was really unusual to go from being in university for four years to all of a sudden acting every day. I'd never been able to do it exclusively like that. It was always sort of like my secret thing that I did privately.
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I get paid all day, every day, which is almost too much for a sensitive artist.
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I train for around 3-4 hours everyday. It can go up to 6-7 hours when a competition is approaching.
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I have been writing fairy tales for as long as I can remember. Not much has changed in terms of my natural attraction to the narrative techniques of fairy tales. My appreciation of them in the traditional stories has deepened, especially of flat and unadorned language, intuitive logic, abstraction, and everyday magic.
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My workout mantra is 'Break a sweat every day.' Even if it's just for 20 minutes. I'm very disciplined about that.
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We're in conversations with brands worldwide for a variety of artists every day.
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Miracles happen everyday, change your perception of what a miracle is and you'll see them all around you.
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The best thing about being on the road in general is just playing every single night in front of people that are genuinely fans of your music.
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All your experiences, all your meditations, all your prayer, all that you do, is self-centred. It is strengthening the self, adding momentum, gathering momentum, so it is taking you in the opposite direction. Whatever you do to be free from the self also is a self-centred activity.
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Cars are the sculptures of our everyday lives.
