Chris Colfer Quotes
Quotes to Explore
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My first vocation was dance.
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I tend to be the type who is overly polite and sort of ingratiating to other people.
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I moved to London to go to dance school when I was about 17, but then I realized that I didn't want to be a dancer anymore, so I dropped out after five or six weeks. All I wanted to do was sing and make music.
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When you're listening to the radio, you're hearing dance beats, all the bells and whistles, and 'Say Something' makes you quiet and forces you to listen.
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In dance you use every party of your body except your voice. I wanted to start acting because I wanted to use my voice.
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I don't know what I would have done without believing in God. His support gives me power and energy to continue to be optimistic, to smile, not to be depressed. Sometimes, if things are not going so well, I don't cry. I say maybe it's meant to be.
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When I was growing up as a little girl and as a teenager, I loved designing and making dogs' clothes and wanting to be a fashion designer. I took art and ceramics. I loved dance.
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The hype man's job is to get everybody out of their seats and on the dance floor to have a good time.
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I've had more ups than downs in my career. All you can do is keep working. You still have to take enjoyment out of what you're doing, and things will turn, and my smile has always been there. In good moments and bad.
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I dance. A lot. I work grief and sadness out of my body when I dance, and I bring in joy and rhythm.
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I don't like the NFL, where I think it's a problem: some guy scores a touchdown, now he's got some kind of dance that he planned. To me, I just want to change the channel.
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I go with the flow. Whatever music you play for me, I'll dance.
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A smile is so sexy, yet so warm. When someone genuinely smiles at you, it's the greatest feeling in the world.
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The moment in between what you once were, and who you are now becoming, is where the dance of life really takes place.
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I get accused of having a haughty smugness. I have a lopsided mouth. I can't help it. I was born with it. It looks as if I am smirking. I have had my publicist tell me, 'Don't do that smile on the red carpet.' I'm, like, 'That's my smile.'
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I love to dance, and sing - in the shower, not in public. I'm too old to go raving, but my fondest memories are of that kind of thing - dancing, with lots of people, outside if possible.
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Doing the sword fighting is like picking up a dance routine... I think dancing really helps with the picking up of it.
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I used to say I didn't want to teach. I was still excited about dancing. It's hard to do both. It's as exhausting teaching as it is to dance.
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Everyone loves to dance. I've realize that's a part of what I do more and more every day.
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It's crazy because I was 10 years old when 'Macarena' was all over the place, and I remember looking at it from a different point of view. I remember culturally how important that song was, even though people didn't really know what they were saying. It was more about the dance and the movement of it and the cultural side of it.
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People ask who I am as an artist, who I am as a person. I don't ever want to tell them who I am; you can find that out in the music.
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There are people from lots of different fields in my department. In my lab, they come from computer science, education, psychophysics, psychology, music - and we all work together, and it feels very comfortable. All the careers I've had have been interdisciplinary; working in a studio is like being an engineer and a musician and a therapist.
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I can sing and dance. I can smile - a lot.
