Chris Meledandri Quotes
Embrace risk. The driving force behind our economic model at Illumination Mac Guff is designed to preserve the opportunity to take risk. Subvert the expectation of the audience. Surprise them with unexpected choices.
Quotes to Explore
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The loss of life will be irreplaceable.
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All those things you hear about networks trying to stifle creativity - CW lets creators create and gives us freedom.
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The scene changes but the aspirations of men of good will persist.
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When I wake up on a Sunday morning with a slight hangover, in the gym with no makeup on, that's who Natalie Dormer really is. The girl next door who gets a spot on her forehead occasionally.
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Sometimes there's a snobbery among literary types that these people don't really get it, but in a lot of ways they get it more than the literati. There's a culture in the background that they understand and know. They get that deeper level.
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Parodies of commercials are by no means new and have been popular going back to black-and-white TV shows of the '50s.
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I think that its easy to think of the environment as all doom and gloom and that, 'What can we do, it's too late. And the polar bears are gone, and everything is gone.' But really, just the little steps that we can make as individuals make a big difference.
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I read Shakespeare when I was 14 because it's what we were taught.
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The kids from the streets don't want preaching or messages. They want what they can identify with. They want to hear about the reality of their situation, not fairy tales. They don't care if it's ugly; they just want reality.
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All novels are about crime. You'd be hard pressed to find any novel that does not have an element of crime. I don't see myself as a crime novelist, but there are crimes in my books. That's the nature of storytelling, if you want to reflect the real world.
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In England we have come to rely upon a comfortable time-lag of fifty years or a century intervening between the perception that something ought to be done and a serious attempt to do it.
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Ethel Merman would stay with a show for years and tour with it. So would Mary Martin, the great stars. They recognized the value of that success and nurtured it. Now, you come from Hollywood, you play 12 weeks and go away. I don't think that's the best policy.
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A hit film is what we work for as actors, as that goes to show that we have managed to entertain our audiences who shower us with their love and affection throughout the years.
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Touring helped me understand where I needed to be better in my music.
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Because I first made my name as a rapper claiming South Central L.A., people often assume I'm strictly a West Coast cat. But my family was actually from back East. I was born in Newark, New Jersey, and grew up in Summit, an upscale town in north Jersey.
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Trent likes to record guitars direct, whereas I've always preferred playing through an amplifier.
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I have run with the Olympic Torch during the 2012 summer games in London and the 2014 winter games in Sochi.
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There is no kind of music I don't listen to. Everything good is interesting. I am as happy with a Bach fugue as I am with a record by Thelonious Monk.
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Old music used to mean something. There is none of that today.
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I always arrive late at the office, but I make up for it by leaving early.
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Television is hard work. It's all hard work. Theatre is hard work. I tell you, I have bruises from changing backstage. Those quick changes are really difficult.
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In the eyes of God, a child on the other side of the border is no less worthy of love and compassion than my own child. We - we can't distinguish between them in terms of their worth and their inherent dignity and that they're deserving of shelter and love and education and opportunity. We can't isolate ourselves. We can't hide behind a wall.
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We have an opportunity to improve productivity and cut costs while growing our way to a better and a more comfortable operating environment. I don't think anyone feels comfortable about bumping around where we are today.
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Embrace risk. The driving force behind our economic model at Illumination Mac Guff is designed to preserve the opportunity to take risk. Subvert the expectation of the audience. Surprise them with unexpected choices.
