Edie Brickell Quotes
Quotes to Explore
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I've made plenty of violent games in my life. I play violent games. They don't affect people in the way that a lot of people think they do. They just don't. It's demonstrably true that they don't, and anybody who thinks they do is just not thinking.
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Films like 'Bond' fund training schemes for film technicians of the future, and working on films themselves provides a great training ground for budding directors and cinematographers. If there's no money there for films to be made, it's like a house of cards, it all comes tumbling down.
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'Moby-Dick' has a remarkable way of resonating with whatever is going on in the world at that particular moment.
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I played trumpet in the school bands. I learned things I liked to play on my trumpet, but I didn't learn why this note goes with this note and why it produces that sound. Or how to create tension in the composition.
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I like the idea of taking a true classic written by a true genius and destroying it essentially! I like the idea of bringing it down to earth a bit - and even a bit lower than that.
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A teacher enlarges people in all sorts of ways besides just his subject matter.
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To be completely honest, it's shocking to me that I keep getting the villain roles! I do not see myself as the villain and I know, growing up, I was the opposite of a villain. I would never try to be a villain to anyone - but maybe other people I grew up with feel differently about that.
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You can't be happy in a place like London when you don't have money.
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Yes, many immigrants cherish the value of choice and opportunity and the value of education more than 7th or 8th generation Americans.
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I must admit that I am not generous with weak people. It's not in my nature or in my personality. My parents were not generous with weak people, see?
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Whether it is successful or not is not the exercise for me. It is not up to me. It is out of my hands now. I am not going to in two years have hindsight and say I made a big mistake.
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A morte é a curva da estrada,Morrer é só não ser visto.Se escuto, eu te oiço a passadaExistir como eu existo.A terra é feita de céu.A mentira não tem ninho.Nunca ninguém se perdeu.Tudo é verdade e caminho.
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A project like Pangea, which enables us to enter in to the situations of others, imaginatively, is fulfilling what the religions call the Golden Rule... going into one's own experience, and going into other's experience, and seeing the world from another perspective - that's what we desperately need in our dangerously polarized world.
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Silence is a lawyer who pleads with his eyes.
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When I was a boy I was told that anybody could become President. I’m beginning to believe it.
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I would have beaten Bloomberg like a rented mule.
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When I look at a body I know it gives me choices of what to put in a painting; what will suit me and what won't. There is a distinction between fact and truth. Truth has an element of revelation about it. If something is true, it does more than strike one as merely being so.
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A newspaper is always a weapon in somebody's hands.
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We believe that civilization has been created under the pressure of the exigencies of life at the cost of satisfaction of the instincts.
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Even if you didn't lose your job, if you're one of the two-thirds of Ontarians who don't have a pension, you lost savings. Even if you've earned most of that back now, you are a changed person. You are less secure, less confident. And I understand that.
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My aim is to say that the machinery of the heavens is not like a divine animal but like a clock (and anyone who believes a clock has a soul gives the work the honour due to its maker) and that in it almost all the variety of motions is from one very simple magnetic force acting on bodies, as in the clock all motions are from a very simple weight.
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The 81 days of detention were a nightmare. I am not unique; it happened to many people in China. Conditions were extreme, created by a system that thinks it is above the law and has become a kind of monstrous machine. There were so many moments when I felt desperate and hopeless. But still, the next morning, I heard the birds singing.
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Poets writing in English have long learned to mourn from classical precedents. They have drawn on a tradition of pastoral elegies, which incorporate the dead into the cycles of nature, that runs from Theocritus' Idylls to John Milton's 'Lycidas' and Percy Shelley's 'Adonais.'
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I'm not aware of too many things. I know what I know if you know what I mean.
