Keith Maitland Quotes
I read Pamela Colloff's oral history about the campus shooting, '96 Minutes,' when it was first published, and my wheels immediately starting turning toward making a film and making it an animated re-telling.
Quotes to Explore
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I just got to hear every note. After I left Birdland, I started working at the Jazz Gallery. In the end, I still couldn't play, but I knew how to listen. I was probably the world's best listener.
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It's very important that every movie I do makes money because I want the people that had the faith in me to get their money back.
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I write 'Broad City,' so I connect it to me.
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I see a deep connection between peace and change: peace always starts from within, for communities and people alike. The same is true of change: real change starts from within.
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There is no necessity to separate the monarch from the mob; all authority is equally bad.
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I think what television and video games do is reminiscent of drug addiction. There's a measure of reinforcement and a behavioural loop.
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Strong limits on carbon pollution will save Americans money, create jobs, improve our health, and help defuse climate change.
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I don't make much distinction between being a stand-up comic and acting Shakespeare - in fact, unless you're a good comedian, you're never going to be able to play Hamlet properly.
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Today, for the first time - and the Obama campaign showed us this - we can go from the digital world, from the self-organizing power of networks, to the physical one.
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It is so important for girls and boys to have a female, strong superhero to look up to.
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Understanding the importance of evolving is very important. Reinventing is very important. To break what you have already done is very important. That growth should never stop.
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Booksellers are the bartenders of the reading world. People share thoughts and interests they keep private from others in their lives.
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An uplifting sense of purpose is more than an impetus for individual accomplishment, it is also a necessary insurance policy against expediency and impropriety.
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I am not a method actor, though I studied for a year with Lee Strasburg.
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Once humans traded their hunter-gatherer existences for more settled communities, we began a quest to make our lives better and more comfortable, but we've also been sucking precious finite resources from our environment ever since.
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I have a lot of faults. I often interrupt in meetings. I talk too loud. I talk too fast.
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Somebody can't complain when they enjoy going to work and enjoy the people they work with.
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The New Deal's enmity for that system of free and competitive private enterprise which we call capitalism was fundamental.
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Over the years, from serving in the CIA to sitting on non-profit boards, I have observed first-hand what the addition of even one woman to a meeting or to a decision-making body can do. Put simply, in very many instances, group dynamics improve markedly.
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The American television punditocracy - the pollsters, political consultants and other talking heads who become as ubiquitous as air every election cycle - can be incestuous and herdlike.
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Whether we think of Disney's blonde beauty and her pumpkin carriage or Marissa Meyer's recent recasting of 'Cinderella' as a cyborg in the young adult novel 'Cinder,' we know that there are countless modern retellings of the tale.
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I'm pretty professional. I'm very aware when I'm not playing well and what I need to improve. I'm pretty motivated to fix things. There are guys out there who are not realistic; they don't like to take blame for certain things they don't do well. That's the nature of doubles sometimes: it's easy to find faults in your partner.
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If you were to ask me to pick my favourite author, well, there are so many of them, I'd really just have to say the first names that came to mind, and I'm sure that I'll later think 'Oh, I should have mentioned that one.'
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I read Pamela Colloff's oral history about the campus shooting, '96 Minutes,' when it was first published, and my wheels immediately starting turning toward making a film and making it an animated re-telling.
