Betty Parsons Quotes
Quotes to Explore
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I smoke, isn't that terrible?
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I think if I heard someone else talking about their life, describing all the problems I've had, they'd look like they were through. Done. But there's something about me - I'm smiling. Those things are really not bad enough to put me in a slump. I'm smiling with the opportunity to wake up every morning.
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I'm the little dog who goes the wrong way - under the hoop.
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I'm an entrepreneur, a businessman. I've got a lot of money, and that doesn't go very well with the whole 'starving artist in a garret' routine.
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Fixing a broken immigration system. Protecting our kids from gun violence. Equal pay for equal work, paid leave, raising the minimum wage. All these things still matter to hardworking families; they are still the right thing to do; and I will not let up until they get done.
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There are actors who aren't on the cover of magazines but still decide what work they want and when they want it. I want a family one day. So I dream of really being able to decide when to work and when not to.
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California is an easy place to be an Asian woman engineer.
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My three best friends get me through everything: I need cute jeans, my kids are driving me crazy, I'm throwing a party, whatever. They keep me dialed in.
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I take stuff because I'm inspired by it.
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After graduation, I wanted to work for 'Sassy', which I loved, but it had folded. So I wound up at 'Seventeen' for three years on staff and two as a contributor, and I wrote these great stories that nobody ever believes 'Seventeen' does. Serious stories for teens about social justice issues - gun control, migrant farm workers.
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Few Indians only had breech cloths, most being wrapped in buffalo robes, otherwise quite naked.
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Note too that a faithful study of the liberal arts humanizes character and permits it not to be cruel.
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I believe every editor should stand to edit. That's just my particular soapbox. Some things are so delicate and depend on such fine, delicate work. One frame in one direction or another can make such a difference and it is, in that, like brain surgery.
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I do see music as complete refuge. It's a universal home, complete common ground between everyone; it comes from a place that has no nation and no boundaries around it.
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I was in the U.S. about 15 years. Especially in New York. And then I came back to Japan.
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When in Rome, live as the Romans do; when elsewhere, live as they live elsewhere.
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See what the world looks like from orbit. Well, in that way, at least, there was profit to be had. Nobody could look down at the planet, green and blue, with no borders in evidence and no sign of human habitation, and not get his perspective forever altered.
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There are some things a chappie's mind absolutely refuses to picture, and Aunt Julia singing 'Rumpty-tiddley-umpty-ay' is one of them.
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I think it's real important to show style now. The majority of style right now is to act like you don't have style at all, so most companies are getting rich off clothes that look torn, clothes that look worn.
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We live in that grave, in those clothes, in the pressure between nothing and everything, we live by perpetual movement from place to place but we want oh we so much want to escape to say it all to come home at last to the right place our rightful place our rightful space. As if that was possible.
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Train up a fig tree in the way it should go, and when you are old sit under the shade of it.
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Be wary of cutting and pasting research nuggets directly into your manuscript.
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Women under phallocratic rule are confined to the role of vessels/carriers, directed and controlled by men. Since that role is the basic base reversal of the very be-ing of Voyaging/Spiraling women, when we direct our own Crafts/Vessels we become reversers of that deadly reversal.
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A lot of artists fell in love with me over the years.
