Betty Smith Quotes
I wrote about people who liked fake fireplaces in their parlor, who thought a brass horse with a clock embedded in its flank was wonderful.
Quotes to Explore
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I don't keep people around me that aren't family. You don't get to stay. Unless you're eating at the table with us, you're not part. We eat together, we cry together, we live together, we die together. Everything that we do is for each other, and we care for another.
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I want my shows to be eerie and mysterious.
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I've got a great staff and great support system, and I'm going to stick my neck out and do what I always do.
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The Strauss Group identified water as a strategic category presenting significant business opportunity in line with the Group's long term business strategy and vision. We view the development of a technology that enables high quality drinking water for both home and offices as a means to improve the quality of life of millions of people.
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I once went to one of those parties where everyone throws their car keys into the middle of the room. I don't know who got my moped, but I drove that Peugeot for years.
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Whatever they did for democracy, the U.S. interventions in the Middle East and the vaunted Arab Spring have proved to be pure hell for Arab Christians.
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Each person feels that he is an 'expert' in one or two fields and just the 'public' in all the others. But you know, probably, from experience that no one is really able to appreciate any display of ability in any field if he himself has not, to a certain degree, taken part in its problems and difficulties at some time.
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When I first decided to launch a clothing line, I was pregnant with my daughter Spencer-Margaret, so I looked for a retailer with values that mirrored my own growing family concerns. Kmart is a family store where value-conscious moms shop, so my partnership with Kmart seemed like a natural fit.
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If you don't improve the lives of the poor, it's not charity.
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If you've got unemployment, low pay, that was just too bad. But that was the system. That was the sort of economy and philosophy against which I was fighting in the 1930s.
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The most irresistible charm of youth is its bubbling enthusiasm. Youth sees no darkness ahead - no defile that has no outlet - it forgets that there is such a thing as failure in the world and believes that mankind has been waiting all these centuries for him to come and be the liberator of truth and energy and beauty.
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The Queen and Electric Light Orchestra harmonies are so distinct and fit in our songs so well sometimes, but we don't know how to do them properly.
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There are a lot of historical novelists who do the research about the clothes and maybe even the eating utensils, but they're basically taking modern people and putting them in old drag - it's sort of the 'Gone With the Wind' approach.
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I was raised in the '70s, and I've worked with people I love, and I've been on sets with my parents, with people who run a set and require of actors a sense of liberty and freedom and exploration and failure into brave achievement.
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Actors who perhaps are super-confident and have absolute belief in themselves I always admire, because I can't really be like that. Because you never know what's right: what you feel inside versus what is portrayed.
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Posthumous reputations have little to do with real lives.
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It's a society of knowledge and experience. You have better experience and knowledge when you are 60, 65 and 70.
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In the John Paul II days, Cardinal Joseph Ratzinger had the advantage of staying in his cupboard - the Congregation for the Doctrine of the Faith - exchanging views only with the Pope, and speaking publicly only through carefully written missives on doctrinal issues.
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I knew the full 'Judy Garland Carnegie Hall' double album set at age 2. And then my mother wondered why I was gay. I was like, 'Are you nuts? You would make me get on the table to sing Judy Garland songs and you're upset?'
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Cannes is a sort of gladiators' arena, and that's the fun part of it. When you accept to come here to open the festival, you know you are going to be criticised. I have no problem with the fact that I expose myself and the movie, and it's normal that I can disagree with the way some people feel.
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There is no link between the terror attacks of Daesh and the dress of a woman on the beach.
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Underwater, I experience space with my body. I'll see a school of fish gathering and moving together and I'll exclaim, 'This is architecture.'
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If you didn't have someone to hate, you wouldn't know what to do with yourself, would you?
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I wrote about people who liked fake fireplaces in their parlor, who thought a brass horse with a clock embedded in its flank was wonderful.
