Fun. Quotes
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What could be better than working with people you love?
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It's the coolest part about writing music. I don't know how other people work, but so much is derived from some amalgamation of all these different songs that I love. That's why they jump all over the place.
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The Queen and Electric Light Orchestra harmonies are so distinct and fit in our songs so well sometimes, but we don't know how to do them properly.
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I want to be able to do work where I think it's very forward, but I also want it to exist in a big way and have an effect on a lot of people.
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My parents had normal jobs, and I didn't just want to work all day, and so I thought if I could break into music I wouldn't have to work all day. And I had an uncle who was on Broadway, so I was like, 'I have to be able to sing.'
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Running in Central Park is my favorite thing to wake up and do. I have my own specific path that I have to run every single time. There's a little bit of OCD involved, but I love it.
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I think legally we have to do 'fun' with a period. I think we agreed because apparently there was another band called 'fun.' We Google-searched, which now makes sense because we're so impossible to Google-search.
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You can be a man who loves a woman but love someone the way a gay man loves another man or a woman loves a woman.
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I love ABC Family!
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Lately I've been falling asleep listening to 'Common One' by Van Morrison, specifically the song 'Summertime in England.' It's 15 minutes long, so to make it through the entire song is a real task unto itself, but Van has that emotional payoff that makes even his most tiresome songs more powerful than most people's entire catalog.
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I love to stay at home and write.
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I went to high school in New York City. So, I grew up in New Jersey my whole life, and I was watching all the people and all the kids that I met there become so jaded.
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I think that some of the most amazing places to be or to grow up are the places right outside of great cities, because you're sort of constantly in this suspended state of, like, looking inside the window, wanting to be in the party. I think it breeds good feelings.
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I knew how touring was for 10 years, but it's completely different now that things are popping off.
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All I have to do to continue to make things work is make great records, and that's more important than having a crazy master plan.
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It's pretty easy to tell who's garbage and who's not right away, and most people suck, to be honest, or they're just really wrapped up in what's going on with themselves.
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I picked up 'The Hunger Games' thinking it was written at my regressed reading level. I've spent hours reading it, and I'm not even halfway through. Our bass player, whose name is also Nate, ended up reading all three novels and loved them.
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Well, the crazy thing for me is I think out of anything that's happened in the last year, all the success, people always ask what do you guys do with the money? I don't think they realize we're not really making any money.
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It really is true that when an issue becomes pop culture, it changes faster, and it's really great for the issue.
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I think that I always thought that if my uncle was on Broadway, then I must inherently have a good voice. I don't think that for a while I did. Eventually, out of sheer will of never wanting to get a job or go to college, I found my way into doing music full-time.
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I hear my songs being sung by females before I change them and make them into my voice.
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I worry that if I enjoy something - like the songs on 'Some Nights' are about wondering about who you are. I'm never quite sure and I'd hate to feel sort of content and get a good sense of who I am because if I know one thing, that's not me. I don't mind not necessarily being happy about it. And that's fine.
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We love a good, hyped sound, but when it starts to sound insincere, that's when I lose interest. I hope that our music, even if it sounds polished, doesn't sound insincere.
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In a city like New York, any night can be completely different, even in a subtle way.