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I don't have a Twitter or a Facebook, but that doesn't mean I'm any more productive than the rest of the world.
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When I work with other people, I don't have to do that - it's because I love to do it and I want to do it.
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I picked up 'The Hunger Games' thinking it was written at my regressed reading level. I've spent hours reading it, and I'm not even halfway through. Our bass player, whose name is also Nate, ended up reading all three novels and loved them.
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I hear my songs being sung by females before I change them and make them into my voice.
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I came from somewhat of a musical family. I had an uncle on Broadway. My dad kind of knows how to play instruments. Although, I always find it annoying when he does play an instrument.
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I was in a really crummy pop-punk band. I think we did a whole bunch of Blink-182 covers, and we were on the fringe of losers and jocks. So we invited all the cool kids to come watch us play in our bass player's brother's bedroom. And it was terrible, but everyone thought we were so cool.
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I've been touring through Texas since I was 15, on my first tour ever.
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When you start writing songs on your own, there's no Bible, there's no one around you, so you're just writing, and you're left with, like, the dead space in your head to know if it's a good song or an interesting concept.
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I think it's really cool, but Jimmy Eat World and Gin Blossoms did it better than anyone. People don't realize just how awesome the Arizona history is, especially for alternative music. Growing up, that's all I ever wanted to be was those two bands.
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'Glee' is one of the very few mainstream outlets that is giving a voice to communities of people that don't necessarily have a loud voice, specifically the gay community. It gives a really positive and forward statement.
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It's really easy to end up on the 'Daily Mail' if you put yourself in situations where you'll end up on the 'Daily Mail,' and it's really easy to not if you don't do that.
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I need a hobby, and I don't want it to be basketball. I want it to be music. So to get away from music, I do other music.
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I idolised bands like Pearl Jam and Smashing Pumpkins, who wanted to reach as many people as they could.
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It really is true that when an issue becomes pop culture, it changes faster, and it's really great for the issue.
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Lately I've been falling asleep listening to 'Common One' by Van Morrison, specifically the song 'Summertime in England.' It's 15 minutes long, so to make it through the entire song is a real task unto itself, but Van has that emotional payoff that makes even his most tiresome songs more powerful than most people's entire catalog.
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I could probably name thousands of albums that I want.
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I think that some of the most amazing places to be or to grow up are the places right outside of great cities, because you're sort of constantly in this suspended state of, like, looking inside the window, wanting to be in the party. I think it breeds good feelings.
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What sets 'Some Nights' apart from anything we've ever done is the hip-hop influence. Not so much the actual sound of hip-hop, but more the vibrato and the artistry that comes with it. Right now, the artists that seem to be pushing to be the greatest artists and are trying to change the world are hip-hop artists.
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I'm gonna make my records, whether I release them as Bleachers or something else.
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It just seems like the most fun thing in the world. I've never met people who have kids who haven't looked me in the eye and been like, 'It's the greatest thing that's ever happened.'
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I think any branding for me is band-related. It's really weird to get used to the exposure, because I am a naturally introverted person, and I'm not exactly social. Occasionally I can get comfortable enough to talk, but I spend a lot of my days not talking, especially when I'm at home and not on tour.
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Van Morrison is probably, at this point in time, my biggest influence as a vocalist. When we were making our last album I had a vinyl copy of 'Veedon Fleece' in the vocal booth in front of me, in the dorky sense. I think there were candles around, which is really tacky, but hey, I needed to channel Van the Man!
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In this business, it's important to constantly do things that you don't know how to do. I love touring and making records, but I've learned how to do that, so sometimes you just have to dive in and try it.
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I don't play an instrument - I just write in my head, and I usually hear fully formed songs. 'We Are Young' turned out so much like it was in my head. But it also exceeded all my expectations.