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Singles, whatever. But selling a million albums feels like an impossible thing to do.
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To grow up five miles outside of the greatest city in the world is a bizarre experience.
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I think that I always thought that if my uncle was on Broadway, then I must inherently have a good voice. I don't think that for a while I did. Eventually, out of sheer will of never wanting to get a job or go to college, I found my way into doing music full-time.
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I have no problem being mainstream. I grew up in the '90s when the mainstream was amazing.
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It's pretty easy to tell who's garbage and who's not right away, and most people suck, to be honest, or they're just really wrapped up in what's going on with themselves.
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We have this really retro vibe and style of songwriting and, personally, I wasn't embracing the current state of music until I fell in love with hip-hop. It felt good to suddenly embrace where music was headed, and I think hip-hop is the best at that, because it feels so progressive and everybody wants to be the best.
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So many boys and girls talk the same way, listen to the same music, look the same. If I'm out, I'll notice the person who looks different before I notice the person who's, 'really hot.'
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If you're lucky enough to find anything in life that gives you five seconds, let alone an hour, of relief from life, you should try to do it forever.
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When you constantly revisit things, it's hard to know if you're freezing in time or if you're a brilliant adult who's working through it. I think about that in therapy, talking about the same things over and over again.
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I'm a part of your life. You might not know it, but I am.
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The best pop music is the songs that a group of people can dance to, but you can also listen to in your bed and cry. That's something obviously that The Beatles started and... so having that darkness there opens another door.
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We love a good, hyped sound, but when it starts to sound insincere, that's when I lose interest. I hope that our music, even if it sounds polished, doesn't sound insincere.
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That's what is incredible about human beings, is the choice to keep going.
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I don't want to be known for anything other than writing songs.
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I'm not super into sports.
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Bleachers comes from a different place. It's personal. It's just me putting myself out there as myself. It's very intense.
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When I started playing in bands, we had to be apologetic for what we did. We had to be apologetic because the mainstream was so bad.
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I love working with women.
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Everybody has this sack they're carrying. Some are heavier. Some are lighter. But no one doesn't have it. And if you think someone doesn't have it, they have a bigger one than you imagine.
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If you're in a conversation with me, the last thing I'll probably say when I'm walking away is, 'Thank you and sorry.'
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The way that people have gotten on board with me is the most encouraging thing in the world, but it's all very connected to the 14 years I've been on tour with Steel Train, even my band before that, Outline, and then fun. and now Bleachers.
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I think what probably happens when you put two awkward/clunky people together is that their awkward/clunky world seems like a normal world.
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At least for me, any time I've been in hotbeds of creativity, I got excited about something that wasn't coming from me.
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As straight Americans we have two choices: we can choose to sit back and enjoy our rights as we have them, or we can realize that it is actually not freedom at all when our friends, family, neighbors, and colleagues do not share these basic rights.