Fun. Quotes
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It just seems like the most fun thing in the world. I've never met people who have kids who haven't looked me in the eye and been like, 'It's the greatest thing that's ever happened.'
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I don't play an instrument - I just write in my head, and I usually hear fully formed songs. 'We Are Young' turned out so much like it was in my head. But it also exceeded all my expectations.
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Singles, whatever. But selling a million albums feels like an impossible thing to do.
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When you constantly revisit things, it's hard to know if you're freezing in time or if you're a brilliant adult who's working through it. I think about that in therapy, talking about the same things over and over again.
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We have this really retro vibe and style of songwriting and, personally, I wasn't embracing the current state of music until I fell in love with hip-hop. It felt good to suddenly embrace where music was headed, and I think hip-hop is the best at that, because it feels so progressive and everybody wants to be the best.
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In this business, it's important to constantly do things that you don't know how to do. I love touring and making records, but I've learned how to do that, so sometimes you just have to dive in and try it.
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I think any branding for me is band-related. It's really weird to get used to the exposure, because I am a naturally introverted person, and I'm not exactly social. Occasionally I can get comfortable enough to talk, but I spend a lot of my days not talking, especially when I'm at home and not on tour.
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We love a good, hyped sound, but when it starts to sound insincere, that's when I lose interest. I hope that our music, even if it sounds polished, doesn't sound insincere.
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I have no problem being mainstream. I grew up in the '90s when the mainstream was amazing.
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I don't want to be known for anything other than writing songs.
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I'm a part of your life. You might not know it, but I am.
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The best pop music is the songs that a group of people can dance to, but you can also listen to in your bed and cry. That's something obviously that The Beatles started and... so having that darkness there opens another door.
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Bleachers comes from a different place. It's personal. It's just me putting myself out there as myself. It's very intense.
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So many boys and girls talk the same way, listen to the same music, look the same. If I'm out, I'll notice the person who looks different before I notice the person who's, 'really hot.'
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If you're in a conversation with me, the last thing I'll probably say when I'm walking away is, 'Thank you and sorry.'
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When I started playing in bands, we had to be apologetic for what we did. We had to be apologetic because the mainstream was so bad.
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That's what is incredible about human beings, is the choice to keep going.
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Human rights, no matter whom they affect, are something that should matter to all of us. It's always been a part of my life.
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I just work a lot. I just remember recording in a hotel room in Malaysia. I work on planes, I work on buses. A lot of times when I'm backstage in the hotel or on the bus, I would have new ideas.
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My grandparents got out of Poland right before the Holocaust and came here, and the only thing that mattered was surviving.
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I love working with women.
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The way that people have gotten on board with me is the most encouraging thing in the world, but it's all very connected to the 14 years I've been on tour with Steel Train, even my band before that, Outline, and then fun. and now Bleachers.
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Everybody has this sack they're carrying. Some are heavier. Some are lighter. But no one doesn't have it. And if you think someone doesn't have it, they have a bigger one than you imagine.
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It's all about fair trade, and helping people eating locally grown stuff. We're recycling everything. We're trying to tour in the most conscious way possible, environmentally and socially.
