Fun. Quotes
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Social paralysis is strong and stands firmly in the way of change on the ground level. As allies, we have to prepare ourselves to step into the fire when necessary, even - and especially - when said fire is merely a still-lit cigarette tossed carelessly onto the street.
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I feel very, very, very intent on only releasing things that I believe are fully worthy.
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The heart and soul of pop is newness, excitement, innovation.
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I think men are, like, repulsive, and I prefer being in a room with women. I think they're often just more interesting.
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But as long as you're creating the art you want to create, if people start liking you, you shouldn't have to apologize. You want your stuff to be heard by as many people as possible.
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I've worked so hard for so long, and everyone's reaction has made me feel like... almost like they trust me, which is just a wonderful feeling. It pushes me to write things better and better.
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My parents had a house on the Jersey shore - I grew up right there, going down there every summer and living there. It is home for me.
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I have all of these lives that I want the music to live, but at the end of the day, it's out there.
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One thing a lot of people don't know about Fun. was that the three of us all came from 10 years of touring with our own projects. That's how we met, actually.
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Great songs come out of people's bedrooms; they come out of studios; there's no formula for it.
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When I was growing up, it was a lot of punk and hardcore music going on in legion halls and firehouses, and we'd play those shows, and it was very Jersey. It was very suburban, and there's just a great pride there.
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I think it's nice to do work that is vaguely compromising to your health because it means you really care about it.
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You get to a point where everything is so important. One day you have 'Letterman,' and the next day you're at the MTV Movie Awards, and the next day you have a sold-out show for over 15,000 people. You can't cancel anything, because it's just too much to let everyone down, which is an interesting thing about being in a bigger band.
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The first time I ever got paid to play was 1/18/99, Fire Hall in Bordentown, New Jersey. Played first on the bill - we got paid $20!
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We grew up listening to alternative music from the '90s, and there was no shame in being on a major label and still making the music you wanted to make. I feel like rap rock came around and drew a line in the sand, and everybody that was like me ran away from that and started making indie-rock.
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For better or for worse, I just have to be on tour for some portion of the year. But it's not easy, you know. It's not easy on the people you love, and I understand when people look at this life and say this isn't sustainable.
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I'm not trying to write a perfect record. I'm just trying to nail a moment in time.
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My girlfriend is a fashion designer. She has her own company called Rachel Antonoff. She is doing a collaboration with Urban Outfitters right now, a shoe collaboration with Bass. She sells to Barneys, stuff like that.
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A lot of times when I'm writing lyrics, I just think about insecurities that I might have and turn them into a scene. Some things may be true, and some things may not.
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Lyrics are so important, I hate every second of writing them, but it's something I take great pride in when it's finished.
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When you're in a band, it's like everyone's the CEO, and anyone could destroy it at any moment.
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All of the guys I know from Jersey held onto this feeling of, 'We're always just working.'
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There was this darkness about being from New Jersey.
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I don't really love roller coasters because I feel like they're filled with germs and make me nauseous.