Jack Antonoff Quotes
I remember immediately - immediately - feeling like, 'I don't want to play 'We Are Young' when I'm 35. I don't want to be defined by this.'
Quotes to Explore
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When I was growing up you would see big American films that really mythologised their landscape, that really showed the vastness and the drama of their country.
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Though many people said there is no joint border between Turkey and Montenegro, it feels like we are next to each other. We are in the same neighborhood.
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People look to time in expectation that it will eventually make them happy, but you cannot find true happiness by looking toward the future.
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In America, black urban teenagers have long been lacking in inclusion. In France, there is a comparable lack of inclusion among North Africans. In much of Europe, there has been little attempt to include the Roma.
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Manhood coerced into sensitivity is no manhood at all.
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It's a trifle hard to surprise yourself with a story you've written.
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I'm confident in who I am. I've come to a place in my life where I've accepted things that are me, as opposed to feeling pressure to explain myself to people around me. That's just the way I've always tried to be. It didn't change when I became a star.
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The bottom line is, I want us to rebound, defend, share the ball, play hard. That's all. Now if you can't do that, if that's not important enough to you, it's not on me.
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I adore Eddie Kaye Thomas and Jason Biggs. Eddie was the only one who called me when they were doing 'American Reunion' and told me, 'You need to do this.'
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There is always the fear of failure, and if you struggle, you become nervous, and that's when the underdogs have an opportunity to create a surprise.
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Millions of people are married. I've never picked up a paper and seen a headline that says, Man Gets Married!
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I agree with my colleagues, even the one who just preceded me, that marijuana is probably a dangerous drug, and I would not suggest that we do anything to encourage its use.
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I can paint in jail.
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A society that does not correctly interpret and appreciate its past cannot understand its present fortunes and adversities and can be caught unawares in a fast changing world.
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One of the issues I kept saying to my students is you have to learn to interrupt. When you raise your hand at a meeting, by the time they get to you, the point is not germane. So the bottom line is active listening. If you are going to interrupt, you look for opportunities. You have to know what you're talking about.
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I wanted a personal-finance tool for people who didn't want to be accountants: something you could set up in ten minutes and spend less than five minutes a week on. Mint is now that tool.
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I love, personally, the experience of going to the theater, going to the cinema.
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Swimming is my passion and something that I love.
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The best kind of art or writing holds up a mirror to society.
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When I come to England, I don't claim England; I don't own it. I feel a great kinship because of the literature and the landscape. I have great affection for Edward Thomas and Philip Larkin, but there's still this distance: looking on at what I'm admiring, separate from what I am. And that's OK.
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I'm especially interested in what I call practitioner criticism, which is when people who practice an art form start writing about it on blogs. I think that's an immensely important development. I want to see much, much more of that. People who make music who are verbally articulate. And not all musicians are verbally articulate. But those who are should be encouraged to write about what they do and their perception of what other people do. It makes the discourse smarter.
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There is a painful joke that Europeans often tell of their Gallic neighbors: God created France, the most beautiful country in the world with so much good in it, and ended up feeling guilty about it. He had to do something to make it fair. And so, he created the French people.
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I remember immediately - immediately - feeling like, 'I don't want to play 'We Are Young' when I'm 35. I don't want to be defined by this.'
