Albums Quotes
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What is Norah Jones' style? Is it just the albums that we've heard? She has a rock group where she plays guitar in, downtown in New York, so do we really know her style?
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I had success. I had a number one record. I had a number one album. I have to make this kind of record again or else I'm going to lose it all. That's how you end up making the same song over and over.
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My next project will be a Christian album, another one. I wrote the songs for the ones you're referring to, but I want to do some of my old gospel favorites. That's what my next album's going to be.
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Of all the albums I've made, I still don't feel like I've made the perfect album. I've had ones that touch on this, and others that touch on that, but never one that's just perfect and fully relevant. I don't know if I'll ever make it, but I'm certainly trying every day.
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When I left the Beatles, I made an album called McCartney that I played everything on. And it was kind of a cool experience. I felt like a professor in a laboratory, just crafting stuff and adding this, and putting this on and moving the microphone, and it was very homemade.
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I tried acting and all of the arts, I even put out a record album, but what I like the most is business.
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I played on three of Bob Dylan's albums. I have very pleasant memories, especially the Nashville Skyline album was a real fun album to do. He was in a great mood. He was glad to be in Nashville, where the musicians were very laid back and very creative. We had a lot of fun doing that album.
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It's funny when you start writing an album and then recording - the songs begin to take on a spirit of their own. Once you start to perform it live, this happens even more so than in the studio. They really start to develop a personality that takes shape over time with the audience.
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I remember being 4 or 5 years old, sitting in front of a record player with headphones listening to my dad's albums,
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If you want the old me, go buy my old albums.
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Just think how minimal somebody's family album is. But you start looking at one of them, and the word everybody will use is "charming." Something just happened. It's automatic, just operating a camera intelligently.
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I could probably name thousands of albums that I want.
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I had BEEN making futuristic records way before a lot of the groups that came out, but now everybody is running to make their albums sound new, but it sounds too made up.
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Steve Martin's comedy albums are so ridiculous.
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I know acts and I'm not going to name names but these people sold ten million copies the first time and the second album sells three million and it's considered a failure and they're dropped and that's really a shame.
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Some people say we have thirteen albums that all sound the same. That isn't true. We have fourteen albums that all sound the same.
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I don't want my kid to hear any of the albums that I've made.
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I'm growing as an individual, but your always growing. All of my albums are snapshots of where I am artistically.
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I always try to put something personal on my albums just to give people out there a little piece of my history and how I got where I am and who I am.
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I think every album serves as a step in your career.
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If you're fortunate to get a first album that sells 10 million you have nowhere to go but down. I'm just going to be honest and your measuring stick is so high that haters are licking their chops because you can't do nothing but fail.
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People consider Black Star a great album, and I think it's a classic album. But the fact is, both me and Mos Def have made better albums since Black Star.
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I just liked stand-up comedy so much. I used to memorize Bill Cosby albums and other people's albums, George Carlin, Flip Wilson.
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We have as many audiences as we have phases of our career. And all of us are older now. We've grown in different directions, so that the result is a band that's sometimes a little scattered -- just like it was with the original version of the band, really. ... All Chicago albums are stylistically all over the map, and that's a good thing. We can play to anyone.
