Albums Quotes
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I think I spent more time on the mellotron than on any other instrument in the studio, and it got to the point where I was like, "Well, you can't write an entire album on this instrument." But maybe I would!
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As a teen, I heard the second Velvet Underground album, 'White Light/White Heat,' and it was too much for my limited scope of appreciation. It was intense, but I didn't get it.
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I think a lot of my dreams have come true, and my next dream is to have a No. 1 selling album. A Grammy-award-winning album.
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When I began making my own albums, the songs became funkier. They were more about the streets.
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I've always loved playing in bands where there's like three or four people and we're all throwing out ideas and coming together to make an album.
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Japanese movie "Be With You" served as inspiration for "Love Box." I couldn't fill up the album with just my experiences.
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There's not too many one-producer rap albums. There are lot of one-producer rock albums... and country albums.
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I no longer really have faith in the album anymore. I no longer have faith in the song.
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Sometimes I think albums are so ambitious, they don't stand as bodies of work because you try to achieve so much, and sometimes we need to do less. Say less.
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I've always said I write albums; I don't write random songs and then sort them out.
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I heard a quote once in a documentary about a band that said you're better off owning everything 100 percent and selling 20,000 copies of an album than signing with a record company and selling a million copies. There has never been a truer statement about show business than that.
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I thought it was time to get a group together and the first person I thought of was Wayne Shorter. I called Wayne and in the meantime, Wayne called me to make an album with him, which was Super Nova.
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I think it would be wrong to consider 'Ashes and Fire' a love album. The record is obsessed with time. I believe that there is a kinder view of the self on this record.
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I have never taken more than two weeks to record an album throughout my career.
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I've been performing since the 60s and I made my first album in 1969, so it's been a bit over twenty years.
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In the rest of the world we had had two albums that were successful, so those two albums' hits and this new four-single package made up an album called Wham! The Final, which is basically greatest hits. We couldn't have done a greatest hits over here, because we'd only done one hit album.
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When I finish an album and I find myself listening to it in the car, because it makes me feel a certain way, that's the time to try to let other people know about it.
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Most of the greatest albums in the history of music are one producer. It's just a fact. Or one collective.
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I am thrilled to have been able to put together this new album. I listened to everything I had recorded in the 24 years with Elektra, and then just took all the ones I am mad about.
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For years, Jazz At The Philharmonic albums were the only ones of their kind.
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I've had chances to record albums, which I haven't done.
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My album was recorded in Nashville. It used to be all about "We're from Texas, forget Nashville," well you'll never hear me say that. Nashville isn't bad as long as you're true to yourself.
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Like books and black lives - albums still matter. Tonight and always.
