Albums Quotes
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Everytime you put an album out with any producer you do the same thing.
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When I'm done with something, I'm done. I don't go back and listen to and pine for my old albums, or the Lollapalooza days, or 'Psalm 69' selling millions of records. Maybe I'm really just getting old and mellow.
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In an artistic and spiritual sense I'm really not that concerned about what happens after the album is done.
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I was a little disappointed. They should have played more of those great songs from the first couple of albums.
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I try to explain that to my kids - the experience of going to a record store, flipping through racks and finding that album cover that intrigues you - but my kids don't want to know about it. They download the one song on the album they like, and pay their 99 cents.
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Some people do think the albums are like concept albums when they are not. That’s usually because of the artwork and the strong imagery that we use. What with the booklets and graphics and everything else and stuff like that. People get that impression. I say it with every album it’s the way it is, it’s a pretty simple approach and we try and get together the best collection of songs as best we can at any given time .... and you go with that. I mean you might look at it a year later and go back and think ‘Oh we could have done this or we could have done that’. You may think we could have second guessed this or that and we could have written a better song than that one. However at the time you’re enthusiastic about your stuff and you think that’s the best that you can come out with ..... at that time ...... you just HAVE to go with it. I don’t think you should look back over your shoulder at all, that’s always been our attitude. So that’s something that’s never changed in that respect. I mean that goes for with whatever the line up is, that’s always been the attitude. I hope that clears it up. We write the best collection of songs we can at the time and everything else fits around them .... not the other way around.
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All of my favourite albums have this incredible amount of conceptual glue to them, even if they are not telling a story.
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I started making music when I was about 15 - I was always into knowing how records were made. I was into The Kinks, David Bowie and Phil Spector and in bands at school but when I left I wanted to do my own thing and make albums.
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I plan to do my next two albums with Lady Gaga . She is quite a talent.
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Deep Purple, 'In Rock'. My cousin got me into it. I really dug it and that's why I started playing guitar. There's been other albums over the years, but that was the first one.
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I think Joe's a little harsh on our early albums. I still like to listen to them occasionally, and we all still get a kick out of playing Rock Brigade in concert.
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I gave away the money advanced from my record company on my first album, I'm the type of person who likes to give. I gave to my sister. She has four little babies and bought an old house and it needed repairs.
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I would have issues with directions songs were taking, but I never heard one of Carlos' Dangler basslines and said, "I don't like that, do something else." The same goes for the beat and the guitars. I think that's why we were able to make four albums together.
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What I don't do is try to like become whoever I'm rapping with. The people who go get an LL album want to hear LL.
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What excites me is the idea of doing a record that's pretty clean and focused on songs. I've rushed a lot with previous albums and there's not a rush now - it's not a race.
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Anybody can have a great album in themselves but it's not until you bring it out and put it into tangible form and creating it and working on it in the studio that all of that comes to life you know what I mean?
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When I get ready to do an album, that means I have something to say for the sake of words, and I listen back to all of the things I've been creating and pull things from out of the air to go with them. It's almost like I start creating the album before I even think about creating it.
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A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you.
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I'm not like a voracious hoarder who has 50,000 albums of vinyl stacked in a storage space in the San Fernando Valley. But I do have albums from the last 40 years of my life.
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We went to South America on a trip and all I had was a Robert Johnson album. So that's a definite influence on the album. My bandmates John [Stanier, drummer] and Henry [Bogdan, bassist] were interested in expanding their roles as writers, so that had a positive impact on the record.
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I don't have any regrets about the album [Veedon Fleece]. But it's the same old story - an album is basically 35 or 40 minutes of what you do. It's 'part' of what you do.
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Basically I made her Sara Pocock listen to funk music for a good month, a nonstop stream of George Clinton. I was talking about the art from...if you look at the art from George Clinton albums there are two or three artists he worked with...I made her listen to my album too so all the images are from jokes I made. I wanted it to look like the thoughts that are coming out of my brain which is what comedy is anyway.
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Didn't Lionel Richie just make a country album? No one is giving him a hard time... and God bless him - I love Lionel and should be able to do what he wants to do, like Madonna should, too. Both are having success and I applaud them. If you don't like it, don't buy it. The ageism criticism is getting old.
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Amy Winehouse was not a person I ever met, and I can't say that I am overly conversant in all of her music. I do have her albums, and years ago, when I first heard her sing, I thought she was extraordinary. The tone of her voice, her phrasing, her raw appearance - these qualities were extremely captivating to me.
