Albums Quotes
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The thing about albums is just coming up with new material. I just got tired of that syndrome of putting out an album and then some reviewer claims that this song or that song has something to do with x y or z.
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At 57, to have a No. 1 album, I wasn't expecting it.
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I always tried to make a diverse album in terms of emotions and sounds.
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The album requires a certain focus of mine that I can't really explain - let's just say it's all I can really do while I'm doing it.
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Any album that you pick up of mine, you know it's an Akon album. The guests are very limited and you get to really feel the experience. You get the Akon experience when you get the albums. I always want to make sure that stays the way it is. I don't want to flood the album to where you lose focus on why you bought it.
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When I get ready to do an album, that means I have something to say for the sake of words, and I listen back to all of the things I've been creating and pull things from out of the air to go with them. It's almost like I start creating the album before I even think about creating it.
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I gave away the money advanced from my record company on my first album, I'm the type of person who likes to give. I gave to my sister. She has four little babies and bought an old house and it needed repairs.
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I don't have any regrets about the album [Veedon Fleece]. But it's the same old story - an album is basically 35 or 40 minutes of what you do. It's 'part' of what you do.
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I try to explain that to my kids - the experience of going to a record store, flipping through racks and finding that album cover that intrigues you - but my kids don't want to know about it. They download the one song on the album they like, and pay their 99 cents.
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I'm not like a voracious hoarder who has 50,000 albums of vinyl stacked in a storage space in the San Fernando Valley. But I do have albums from the last 40 years of my life.
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What I don't do is try to like become whoever I'm rapping with. The people who go get an LL album want to hear LL.
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When I started out in this business, I was a performer before I was a songwriter, I was a performer before I was recording. Performing is the roots. That's where it all came from. You didn't start out doing it because you wanted to make an album.
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I think Joe's a little harsh on our early albums. I still like to listen to them occasionally, and we all still get a kick out of playing Rock Brigade in concert.
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We went to South America on a trip and all I had was a Robert Johnson album. So that's a definite influence on the album. My bandmates John [Stanier, drummer] and Henry [Bogdan, bassist] were interested in expanding their roles as writers, so that had a positive impact on the record.
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Deep Purple, 'In Rock'. My cousin got me into it. I really dug it and that's why I started playing guitar. There's been other albums over the years, but that was the first one.
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Anybody can have a great album in themselves but it's not until you bring it out and put it into tangible form and creating it and working on it in the studio that all of that comes to life you know what I mean?
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What excites me is the idea of doing a record that's pretty clean and focused on songs. I've rushed a lot with previous albums and there's not a rush now - it's not a race.
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The live show is different from the album. It's different every night depending on where I am and how many months have gone by since I last performed.
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I was a little disappointed. They should have played more of those great songs from the first couple of albums.
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I would have issues with directions songs were taking, but I never heard one of Carlos' Dangler basslines and said, "I don't like that, do something else." The same goes for the beat and the guitars. I think that's why we were able to make four albums together.
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To create an album of 12 songs, I've got to write about 80 songs. Half of those are totally weird and rubbish.
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You show me what someone listens to, I’ll tell you everything you want to know about his soul. (For instance, a bunch of Nickelback albums would have indicated he never had a soul in the first place.)
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I guess I do feel the need to repent. I do feel like I owe the world a great album. I don't know why I feel that way. I just do.
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I started making music when I was about 15 - I was always into knowing how records were made. I was into The Kinks, David Bowie and Phil Spector and in bands at school but when I left I wanted to do my own thing and make albums.
