Albums Quotes
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I think Joe's a little harsh on our early albums. I still like to listen to them occasionally, and we all still get a kick out of playing Rock Brigade in concert.
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I don't have any regrets about the album [Veedon Fleece]. But it's the same old story - an album is basically 35 or 40 minutes of what you do. It's 'part' of what you do.
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Into the Music was about the first album where I felt, 'I'm starting here'...the Wavelength thing, I didn't really feel that was me.
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It was the Control album that was really about what I wanted to do.
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You show me what someone listens to, I’ll tell you everything you want to know about his soul. (For instance, a bunch of Nickelback albums would have indicated he never had a soul in the first place.)
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Amy Winehouse was not a person I ever met, and I can't say that I am overly conversant in all of her music. I do have her albums, and years ago, when I first heard her sing, I thought she was extraordinary. The tone of her voice, her phrasing, her raw appearance - these qualities were extremely captivating to me.
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All of my favourite albums have this incredible amount of conceptual glue to them, even if they are not telling a story.
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Anybody can have a great album in themselves but it's not until you bring it out and put it into tangible form and creating it and working on it in the studio that all of that comes to life you know what I mean?
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The thing about albums is just coming up with new material. I just got tired of that syndrome of putting out an album and then some reviewer claims that this song or that song has something to do with x y or z.
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In an artistic and spiritual sense I'm really not that concerned about what happens after the album is done.
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I started making music when I was about 15 - I was always into knowing how records were made. I was into The Kinks, David Bowie and Phil Spector and in bands at school but when I left I wanted to do my own thing and make albums.
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I feel like I write the same album every time but each time I try to convey the message more simply.
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Everyone gets that second album syndrome.
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What excites me is the idea of doing a record that's pretty clean and focused on songs. I've rushed a lot with previous albums and there's not a rush now - it's not a race.
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I'm not like a voracious hoarder who has 50,000 albums of vinyl stacked in a storage space in the San Fernando Valley. But I do have albums from the last 40 years of my life.
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Deep Purple, 'In Rock'. My cousin got me into it. I really dug it and that's why I started playing guitar. There's been other albums over the years, but that was the first one.
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I guess I do feel the need to repent. I do feel like I owe the world a great album. I don't know why I feel that way. I just do.
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Music didn't really hit me again until the '90s, when the dancehall scene got going. The '90s were perfect for me. I would have really liked to have had The Slits out in the '90s again, to do tours and albums, because I think the '90s was a brilliant decade for music.
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To create an album of 12 songs, I've got to write about 80 songs. Half of those are totally weird and rubbish.
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When I get ready to do an album, that means I have something to say for the sake of words, and I listen back to all of the things I've been creating and pull things from out of the air to go with them. It's almost like I start creating the album before I even think about creating it.
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The only thing I ever really wanted was a Strat .. I started playing guitar after seeing Jimi Hendrix on TV the day he died...then I got Deep Purples' Fireball album which was also a big influence .. I have a collection of more than 200 of them that includes Strats from every year since March 1954 - the first month the Strat was made
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I guess many game music fans prefer original soundtrack albums.
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I always tried to make a diverse album in terms of emotions and sounds.
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My first introduction to African music was by my mother, who bought the 'Pata Pata' album by the great Miriam Makeba when it came out. Now that is an album. What a voice.
