Albums Quotes
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It was the Control album that was really about what I wanted to do.
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People don't make albums any more. It's always about singles. I wanted to take that old-school approach.
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The reaction to this album has just been fabulous around the world... and I've had offers to perform from around the world and I'm tempted to do it. I've got itchy lips.
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I think Joe's a little harsh on our early albums. I still like to listen to them occasionally, and we all still get a kick out of playing Rock Brigade in concert.
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I feel like I write the same album every time but each time I try to convey the message more simply.
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All of my favourite albums have this incredible amount of conceptual glue to them, even if they are not telling a story.
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You show me what someone listens to, I’ll tell you everything you want to know about his soul. (For instance, a bunch of Nickelback albums would have indicated he never had a soul in the first place.)
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Anybody can have a great album in themselves but it's not until you bring it out and put it into tangible form and creating it and working on it in the studio that all of that comes to life you know what I mean?
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The thing about albums is just coming up with new material. I just got tired of that syndrome of putting out an album and then some reviewer claims that this song or that song has something to do with x y or z.
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I started making music when I was about 15 - I was always into knowing how records were made. I was into The Kinks, David Bowie and Phil Spector and in bands at school but when I left I wanted to do my own thing and make albums.
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In an artistic and spiritual sense I'm really not that concerned about what happens after the album is done.
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Everyone gets that second album syndrome.
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To create an album of 12 songs, I've got to write about 80 songs. Half of those are totally weird and rubbish.
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Amy Winehouse was not a person I ever met, and I can't say that I am overly conversant in all of her music. I do have her albums, and years ago, when I first heard her sing, I thought she was extraordinary. The tone of her voice, her phrasing, her raw appearance - these qualities were extremely captivating to me.
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I guess many game music fans prefer original soundtrack albums.
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Deep Purple, 'In Rock'. My cousin got me into it. I really dug it and that's why I started playing guitar. There's been other albums over the years, but that was the first one.
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A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you.
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I guess I do feel the need to repent. I do feel like I owe the world a great album. I don't know why I feel that way. I just do.
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My first introduction to African music was by my mother, who bought the 'Pata Pata' album by the great Miriam Makeba when it came out. Now that is an album. What a voice.
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It took me three albums to get the confidence and to find out what I could do that made me different from other people. And the first record, really, was a process of trying.
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I was a little disappointed. They should have played more of those great songs from the first couple of albums.
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On the first few albums the songs would grow into strange shapes.
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I'm not like a voracious hoarder who has 50,000 albums of vinyl stacked in a storage space in the San Fernando Valley. But I do have albums from the last 40 years of my life.
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I'll dabble here and there in different forms of the art, but the label has me locked down like a slave so, of course, I'll be doing albums during this time