Albums Quotes
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I try to explain that to my kids - the experience of going to a record store, flipping through racks and finding that album cover that intrigues you - but my kids don't want to know about it. They download the one song on the album they like, and pay their 99 cents.
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In an artistic and spiritual sense I'm really not that concerned about what happens after the album is done.
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Any album that you pick up of mine, you know it's an Akon album. The guests are very limited and you get to really feel the experience. You get the Akon experience when you get the albums. I always want to make sure that stays the way it is. I don't want to flood the album to where you lose focus on why you bought it.
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I always tried to make a diverse album in terms of emotions and sounds.
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What I don't do is try to like become whoever I'm rapping with. The people who go get an LL album want to hear LL.
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It was the Control album that was really about what I wanted to do.
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All of my favourite albums have this incredible amount of conceptual glue to them, even if they are not telling a story.
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I think Joe's a little harsh on our early albums. I still like to listen to them occasionally, and we all still get a kick out of playing Rock Brigade in concert.
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What excites me is the idea of doing a record that's pretty clean and focused on songs. I've rushed a lot with previous albums and there's not a rush now - it's not a race.
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We went to South America on a trip and all I had was a Robert Johnson album. So that's a definite influence on the album. My bandmates John [Stanier, drummer] and Henry [Bogdan, bassist] were interested in expanding their roles as writers, so that had a positive impact on the record.
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When I get ready to do an album, that means I have something to say for the sake of words, and I listen back to all of the things I've been creating and pull things from out of the air to go with them. It's almost like I start creating the album before I even think about creating it.
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When I started out in this business, I was a performer before I was a songwriter, I was a performer before I was recording. Performing is the roots. That's where it all came from. You didn't start out doing it because you wanted to make an album.
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Anybody can have a great album in themselves but it's not until you bring it out and put it into tangible form and creating it and working on it in the studio that all of that comes to life you know what I mean?
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I don't have any regrets about the album [Veedon Fleece]. But it's the same old story - an album is basically 35 or 40 minutes of what you do. It's 'part' of what you do.
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Deep Purple, 'In Rock'. My cousin got me into it. I really dug it and that's why I started playing guitar. There's been other albums over the years, but that was the first one.
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You show me what someone listens to, I’ll tell you everything you want to know about his soul. (For instance, a bunch of Nickelback albums would have indicated he never had a soul in the first place.)
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Hip-hop's always reached out to kids. If you look at the last 10 big albums it might seem ironic. But when I look at the history of this music it's always had a lot of positivity.
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I would have issues with directions songs were taking, but I never heard one of Carlos' Dangler basslines and said, "I don't like that, do something else." The same goes for the beat and the guitars. I think that's why we were able to make four albums together.
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I guess many game music fans prefer original soundtrack albums.
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I guess I do feel the need to repent. I do feel like I owe the world a great album. I don't know why I feel that way. I just do.
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I'm not like a voracious hoarder who has 50,000 albums of vinyl stacked in a storage space in the San Fernando Valley. But I do have albums from the last 40 years of my life.
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To create an album of 12 songs, I've got to write about 80 songs. Half of those are totally weird and rubbish.
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Amy Winehouse was not a person I ever met, and I can't say that I am overly conversant in all of her music. I do have her albums, and years ago, when I first heard her sing, I thought she was extraordinary. The tone of her voice, her phrasing, her raw appearance - these qualities were extremely captivating to me.
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I started making music when I was about 15 - I was always into knowing how records were made. I was into The Kinks, David Bowie and Phil Spector and in bands at school but when I left I wanted to do my own thing and make albums.
