Albums Quotes
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I was a little disappointed. They should have played more of those great songs from the first couple of albums.
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It took me three albums to get the confidence and to find out what I could do that made me different from other people. And the first record, really, was a process of trying.
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Hip-hop's always reached out to kids. If you look at the last 10 big albums it might seem ironic. But when I look at the history of this music it's always had a lot of positivity.
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I'll dabble here and there in different forms of the art, but the label has me locked down like a slave so, of course, I'll be doing albums during this time
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On the first few albums the songs would grow into strange shapes.
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A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you.
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I would have issues with directions songs were taking, but I never heard one of Carlos' Dangler basslines and said, "I don't like that, do something else." The same goes for the beat and the guitars. I think that's why we were able to make four albums together.
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For many, an album is no longer a considerable feat of an artist but just sounds to be half-listened to while one is halfheartedly engaged in something else.
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I've never done an album in the same place really - I like to be able to remember where I did every single one of them .
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I'm not into albums that are meant to sound perfect.
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The live show is different from the album. It's different every night depending on where I am and how many months have gone by since I last performed.
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Didn't Lionel Richie just make a country album? No one is giving him a hard time... and God bless him - I love Lionel and should be able to do what he wants to do, like Madonna should, too. Both are having success and I applaud them. If you don't like it, don't buy it. The ageism criticism is getting old.
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The writing and making of each of my albums has been such a different beast each time, so I'm interested in seeing what kind of animal the fourth one turns out to be!
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I get letters from young people telling me that they're broke and download my albums for free. They ask me what I think about that. I now have a standard line. I tell them, 'I would rather be heard than paid.'
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I received an award for 25 million in [album] sales the night before the bus accident [in 1990].
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Look, you see those groups talking about negativity and anger, and they'd do that for two albums, and then you'd see them change up. I knew they couldn't do a Kurt Cobain on their whole career. You can't stay like that all the time. It's like when Hammer tried to go gangster. You can't be something that you're not.
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Basically I made her Sara Pocock listen to funk music for a good month, a nonstop stream of George Clinton. I was talking about the art from...if you look at the art from George Clinton albums there are two or three artists he worked with...I made her listen to my album too so all the images are from jokes I made. I wanted it to look like the thoughts that are coming out of my brain which is what comedy is anyway.
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Piracy doesn't hurt an artist unless the artist puts out a bad album.
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The next album I make might be the most messed up thing ever. It's all momentary for me.
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If I cut an album now and sell it for ten bucks, I can put seven dollars and fifty cents in my pocket.
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I didn't put out this album because I wanted everybody to know I was grown up. I'm 21 and that's not grown up.
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Just as not all popular albums are wonderful, not all wonderful albums are popular.
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The guy we want to get is the guy who did the Aerosmith album which is coming out in two days, and a Chili Peppers album, and a couple of Pearl Jam albums. We want to get someone that will sort of bring out the high energy aspect more than the dreaminess that was on the last album.
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It was always a great challenge: how can I make a dreampop album that's still very Alcest, but not a ripoff - how to keep the core.
