Albums Quotes
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It just seemed like all the records I have made since Creedence Clearwater Revival have all been sort of pushed off center. I felt like I was dancing around the outskirts of what is my true center. With this album, I really wanted to stay on the mark, right in the middle, right where rock 'n' roll is. I wanted this one to be easier, a lot more fun than some of the past records have been.
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I think when you're making an album, as the songs are piling up, one of the good things about it is that you will often write the song that you need.
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I know six years is a big break. But I never walked away from music. I never released an album because I wanted to do a different album, something I have never done before.
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Music didn't really hit me again until the '90s, when the dancehall scene got going. The '90s were perfect for me. I would have really liked to have had The Slits out in the '90s again, to do tours and albums, because I think the '90s was a brilliant decade for music.
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At 57, to have a No. 1 album, I wasn't expecting it.
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The problem is when you write the album, you record all the instruments, you edit the whole thing and then you have to mix it. You start to get out of touch with the songs and it becomes math.
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I'm not trying to sound pretentious, but we did sell 12 million records on the first album, so we did get paid a little bit.
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Everytime you put an album out with any producer you do the same thing.
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Producing a film is more unfamiliar territory. Although producing an album and overseeing artists is a task within itself. But film is unfamiliar territory so, here and now, that's more difficult.
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The reaction to this album has just been fabulous around the world... and I've had offers to perform from around the world and I'm tempted to do it. I've got itchy lips.
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I know a lot of people who are 12 and doing things they shouldnt be doing. Whether youre an actress or a singer, its always the sexier ones that are selling more tickets or selling more albums.
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Straight from the heart, I represent hip hop I be three albums deep, but I don't wanna go pop Too many candy rappers seem to be at the top Too much candy is no good, so now I'm closing the shop.
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Any album that you pick up of mine, you know it's an Akon album. The guests are very limited and you get to really feel the experience. You get the Akon experience when you get the albums. I always want to make sure that stays the way it is. I don't want to flood the album to where you lose focus on why you bought it.
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When I'm done with something, I'm done. I don't go back and listen to and pine for my old albums, or the Lollapalooza days, or 'Psalm 69' selling millions of records. Maybe I'm really just getting old and mellow.
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The original is more musical than the club mix. I always enjoy using melodies and find it crucial for albums to have variety in styles.
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I always try to give my own albums space in between so I have time to create a new sound and give time for people to miss me. You have to come out fresh and reinvent yourself.
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We have recorded songs on the same day that were released years later in other albums.
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I gave away the money advanced from my record company on my first album, I'm the type of person who likes to give. I gave to my sister. She has four little babies and bought an old house and it needed repairs.
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What I don't do is try to like become whoever I'm rapping with. The people who go get an LL album want to hear LL.
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I'm popular in the United States and I'm popular in England. England is just more concentrated. The people are closer together. Venues are closer together. Many albums of mine have been popular in England, but, no hit singles. All the hit singles I had were before I went to England. So, I'm not necessarily more popular in England, I'm just popular in England, and more so for my performances than hit records. But, I enjoy doing concert halls all over America, England, Scotland and Australia.
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When I started out in this business, I was a performer before I was a songwriter, I was a performer before I was recording. Performing is the roots. That's where it all came from. You didn't start out doing it because you wanted to make an album.
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People don't make albums any more. It's always about singles. I wanted to take that old-school approach.
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I try to explain that to my kids - the experience of going to a record store, flipping through racks and finding that album cover that intrigues you - but my kids don't want to know about it. They download the one song on the album they like, and pay their 99 cents.
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We went to South America on a trip and all I had was a Robert Johnson album. So that's a definite influence on the album. My bandmates John [Stanier, drummer] and Henry [Bogdan, bassist] were interested in expanding their roles as writers, so that had a positive impact on the record.
