Dan Amboyer Quotes
What I love about working on 'Younger' is that it combines some of my favorite elements of both theatre and film.
Quotes to Explore
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I remember the moon landings, and Apollo was the paradigm by which all progress was measured at that time. And I knew that creating a true space-faring civilization was both possible and practical. What I failed to realize was that the effort would fail due to bureaucratic inertia and political apathy.
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Retiring for good wasn't difficult. I knew at the time it was right. I was no longer capable of achieving the standards I'd set myself and there was no light at the end of the tunnel.
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I wanted to go to college and play football.
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I went to this one in Ohio, and then I became a counselor there, and it was just the most fun thing. I was so depressed when I came home from camp.
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I love the look of full brows that aren't perfectly done - eyebrows on fleek: that's the goal.
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The only way reliably to gauge the heat of any particular chilli is to cut it in half, so exposing the core and membranes, and to dab the cut surface on your tongue.
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I write almost entirely in bed or on a couch with my feet up on the coffee table. I feel most creative when I'm looking out the window, and my bed and couch have nice views of the New York skyline.
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I never wanted to be a millionaire. I just wanted to live like one.
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I want to be in the small percentage of women who don't settle for conventional roles.
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I love India.
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As athletes, we all have egos, we all think we can help, and when you're not given that chance, it's hard to watch.
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Hospice is such a tremendous thing. Patients seem to reach an inner peace.
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My job is to put myself out there. It's beyond my control how I'm perceived.
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I think anyone taken out of their comfort zone and put somewhere else will change.
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I believe in holiness and sacredness in other people. It doesn't mean that the clouds part and I see God. That's a juvenile way of thinking about it.
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I don't add any deliberate nuances to the way I sing. I've seen so much and been all over the world, but I'm glued to my roots, and that comes across.
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The greatest compliment a writer can be given is that a story and character hold a reader spellbound. I'm caught up in the story writing and I miss a good deal of sleep thinking about it and working out the plot points.
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I had such an amazing experience on 'The Pillowman' that it was hard to think what else is going to live up to that.
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I think that, ultimately, there are so many characters in G.I. Joe that even all the iterations - the comics and the different cartoons and everything - have been a big ensemble. Lots of crossing storylines and stuff.
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Doing gigs is great, but when you come together for a production in the theatre, that is something I have a lot of respect for.
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How do we compete with the 3D superscreens at the cineplex? We just make it better - because theatre is better because it's live. Instead of trying to be like the poor cousin, we need to accept that we're the king.
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When you can leave a race track and there's people in tears because they won and (people) in tears because they got crashed, you know, that's what brings us to the race track.
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What I love about working on 'Younger' is that it combines some of my favorite elements of both theatre and film.
