Jessica Anne Newham (Betty Who) Quotes
I don't do filler songs. I don't get them. They don't make any sense to me. Why would I literally waste my time on a song that doesn't hold up to the same standards as the other songs on the album? I won't play it live.

Quotes to Explore
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Writing 'William Shakespeare's Star Wars' was a fun exercise in mixing just the right amount of the Bard with just the right amount of everyone's favorite galaxy far, far away.
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I wrote 'Criminal' in 45 minutes when everyone else went to lunch because I had to have a hit. I can force myself to do the work, but only if someone is right up behind me.
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Only people have been through that miserable time will recall the pass from their deep memory.
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We all live in the moment, and we often mistakenly believe that what is true today was true always. Not so in politics, and especially in Congressional elections.
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I'm a professional songwriter - personal attitudes have nothing to do with writing a song.
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A holiday is when you celebrate something that's all finished up, that happened a long time ago and now there's nothing left to celebrate but the dead.
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I do have concerns about the current efforts to restructure our nation's intelligence community.
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I first heard African drum rhythms and chants at the movies. Then, when I had the opportunity to go to Africa and visit the villages, I heard the real, raw, true rhythms and realised the origins of the old Negro spirituals I grew up with in the South.
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The real being of language is that into which we are taken up when we hear it - what is said.
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I was frustrated for a long time with my colleagues in the business school world and with so many management authors who didn't really see themselves as innovators. They were glorified journalists.
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It's difficult to make your clients understand that there are certain days that the market will go up or down 2%, and it's basically driven by algorithms talking to algorithms. There's no real rhyme or reason for that. So it's difficult. We just try to preach long-term investing and staying the course.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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I'm named after a computer and grew up really interested in them.
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Declaring independence was the most traumatic decision I had to live up to. Because I didn't want to do it.
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I have no time for the endless nostalgia: 'Oh gosh I used to . . . ' Life is too short; I don't have any time for sitting and saying I miss things. What's the point? Go and do something else.
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The thing about this business is that you always end up finding these amazing stories and these amazing people who make amazing films. I just want to work with good people and keep challenging myself with different kinds of characters.
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The critical period of matrimony is breakfast-time.
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People miss those who they love. It brings tears to my eyes to see the longing for me. But it's my decision to do fewer films and more protagonist-based roles. For me to take up something, it has to make a lot of sense to me.
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That really was a lot of the appeal of 'Rumours.' The music was wonderful, but the music was also authentic because it was two couples breaking up and writing dialogue to each other. It was also appealing because we were rising to the occasion to follow our destiny.
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There were certain young actors I had trained with at the Royal Academy of Dramatic Art who had always got the big parts and I was always the spear-carrier. Suddenly the roles were reversed and I couldn't understand why, and nor could they.
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We're not that much smarter than we used to be, even though we have much more information - and that means the real skill now is learning how to pick out the useful information from all this noise.
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Warhol was definitely an inspiration when I was younger. I wouldn't quantify his sort of influence. I've been influenced by nature and science, and I've been influenced by people like Ernst and Rauschenberg, Cornell and Bosch and Bruegel, by writers like Haruki Murakami to Pablo Neruda to Artaud.
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The pressure of getting an order right is greater than sinking a putt.
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I don't do filler songs. I don't get them. They don't make any sense to me. Why would I literally waste my time on a song that doesn't hold up to the same standards as the other songs on the album? I won't play it live.