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'Get Out' was born out of the genius mind of Jordan Peele, to whom I will be forever grateful for believing in me and allowing me to help him tell a story so dear to him.
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I just want to tell black stories.
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Usually I do a job, and, like, two weeks later, it disappears and is replaced with something else, but 'Get Out' kept growing and growing and growing, and it keeps taking me to rooms I could never get in before.
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Loads of stuff that I've done has always had a hint of comedy. I did this show called 'Psychoville' that's a horror-comedy. Because I just think that's what life's like.
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I think that's all you do as an actor. You give ingredients for the edit, and the edit's the stew, and they try to make a meal out of it. That's all you are. You just throw things in. This is an idea, this is an idea.
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I like three-dimensional characters - it's just more interesting when you get on set.
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Giggs is the realest.
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All I'm doing is being in films that I would watch if I wasn't in this industry.
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'Sucker Punch' was so demanding, it scared me a bit.
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I feel very appreciative of my mum, my girl, my family, my friends.
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I find it hard to watch a lot of the kind of things I'm doing before doing it. I don't think it's helpful for me. It makes me too aware.
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A lot of times, the people who have the confidence to say, 'I don't know what the rules are, so I'm just going to do what I want,' are the most exciting people.
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Whenever I'm in a film that's from a perspective that is dominant within western culture... I'm always trying to prove myself. When it's from a black perspective, I don't have to - they get it.
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Donae'o is too cold; he's been dropping bangers since 2000.
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I think the word 'diverse' is a cancerous word because it's life. It's a PC way of saying 'non-white,' and it ultimately suggests that white is the standard.
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My experience growing up in London and growing up in a working class background is that when people are down and out, that's when they're probably the funniest. They have to be. That's what they do to cope, to find joy, 'cause they don't feel the joy inside. Or they use humor to keep people out.
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'A Prophet' is one of my favorite films of all time.
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'Diverse' shouldn't be an actionable thing - it should just be.
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I listened to this book, 'The Beauty Myth,' about how beauty standards are messing with women in Western society, and I was like, 'I don't know this.' I have no idea, and I don't pretend to, but now I'm more aware of it because I've engaged on that frequency.
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What I find really exciting is stories from a different viewpoint.
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People are decisions and actions.
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The beauty of any artwork is that it becomes the person that's watching it: What do you take out of it?
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If I was at school and one of my friends said something funny, I'd write it down in a notebook and take it to the writers meetings. I never told my friends about it. I just thought I could incorporate stuff that was true to life.