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Racism kills people. It kills people!
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When work ends, I'd rather just be seen as Daniel - normal.
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I am definitely not a household face, and I don't expect to be one.
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I think the 'sunken place' - that term is what I hear when I'm just casually living my life. People say it around me. Not because they're around me; they're saying it because it articulated a state of mind. Lil Wayne's rapped about it.
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I did a play, back in the day, called 'Sucker Punch,' and it meant so much for me. I was 21. And I went, 'I just want to do work like that.' Stuff I believe in. And when I have compromised, I've never really felt good about it.
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I resent that I have to prove that I'm black.
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I know what it means to be stopped by police. I've been stopped by police a lot.
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I learned so much on 'Sicario' and working with that group of actors, where there was the audacity, the confidence, to do nothing.
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Racism is like a horror movie. Black kids die because of racism. I don't know what's more horrifying than that.
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Some black women hug me and walk away. A lot of black men talk about dating white women and how they've been there, too. People open up about their racial experiences. I feel like I'm a walking therapy session. It's quite intense. But it means a lot to people.
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Sometimes I'll work in America, sometimes I'll work in England. What's important is fulfilment. I just want to tell stories.
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Having something that makes money changes everything. I'm from England, and it's very much about credibility there. And yeah, it is about that. But the money can change things. And so you understand it's a business.
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I think the traditional stereotypes are loaded in institutional racism.
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Writing can be really lonely, and I find that bit difficult. I'd rather be around my people, getting ideas.
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Everything men do is for women.
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Nas is such a touchstone in my world.
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What you want to do is make people talk, start a conversation.
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'The Fades' is its own world. If you try and link it to some religion, you have people going, 'Oh, that's not right,' with their Bible open. Let's just chuck some imagination at it.
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I go to Uganda, I can't speak the language. In India, I'm black. In the black community, I'm dark-skinned. In America, I'm British.
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Being young, working class, and black, everything you do is policed. If someone hits you and you hit back, you are aggressive. If you cry, you are weak. You are kind of always pretending to be something.
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Big up Samuel L. Jackson, because here's a guy who has broken down doors.
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I love comedy. I don't think there's enough comedy on stage.
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Life ain't a drama. And life isn't just a comedy. Life is sometimes horrifying. Life is science-fiction. There are all elements and faculties that we navigate, so I just expect a script to reflect that. As long as it's truthful. I think genre-bending is just being honest.
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I've been to so many parties in England and in America that's exactly like that, where you're kind of, like, seen as Other. When you're just living your life, and you have to adopt the Other in order to understand and navigate the society.