Daniel Levitin Quotes
Having learned something, we tend to cling to that belief, even in the face of overwhelming evidence to the contrary. New information comes in all time, and the thing we ought to be thinking about doing is changing our beliefs as that new information comes in.
Quotes to Explore
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The fact that we live in a world where black people have to strategize so they're not brutalized by police is insane.
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I was a scapegoat. The media had to put responsibility on somebody, and I was chosen. They felt free to say that because someone was thin they were anorexic, which is ridiculous.
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To gastroenterologists, the concept of a germ causing ulcers was like saying that the Earth is flat.
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We just here to do our job.
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My mind boggles at the amount of violence inflicted upon children in today's society.
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As an actor, I've always said, half the audience is going to love you, half is going to hate you so just live with it. It's easier that way.
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I like the idea of being so passionate about everything I do and the fact that I might wake up tomorrow and say 'I want to be a chef,' and just pour myself into that.
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None of our series are ever static in terms of the dates. We always have a range of flexibility to respond to whatever may or may not happen.
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I think my best friend is dry shampoo and dry texturizer spray.
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I'm unemployable in any other capacity.
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No better way is there to learn to love Nature than to understand Art. It dignifies every flower of the field. And, the boy who sees the thing of beauty which a bird on the wing becomes when transferred to wood or canvas will probably not throw the customary stone.
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I'm Bam Margera. And I feel like kicking my dad's butt all day today.
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Every year we celebrate the holy season of Advent, O God. Every year we pray those beautiful prayers of longing and waiting, and sing those lovely songs of hope and promise.
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Pop songs are not as graceful as they used to be. Performers today haven't gone through the regimen of learning how to write. And of course, everyone wants to own copyrights.
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I grew up loving films and making stupid movies with a good friend of mine, who now actually has a career in a really prominent special effects house, so he's still doing it. We just started messing around with a camera.
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With 'Nip/Tuck,' I had never even done anything before I got on that show. They created that character for me. I was reading for something else.
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As children, our imaginations are vibrant, and our hearts are open. We believe that the bad guy always loses and that the tooth fairy sneaks into our rooms at night to put money under our pillow. Everything amazes us, and we think anything is possible. We continuously experience life with a sense of newness and unbridled curiosity.
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I loved making 'Rising Sun'. I got into the psychology of why she liked to get strangled and tied up in plastic bags. It has to do with low self-worth.
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If you think you're free, there's no escape possible.
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I choose my friends for their good looks, my acquaintances for their good characters, and my enemies for their intellects. A man cannot be too careful in the choice of his enemies.
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I went to UCLA and studied studio art. I thought I was going to be a gallery painter, photographer, or ceramicist. Then, when I graduated, that didn't happen immediately. I didn't suddenly get solo shows in Chelsea, and I realized that is actually kind of difficult to break into.
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When you're in a play, you never really have a sense of what an audience is experiencing. The experience of doing a play is so different from the experience of seeing it.
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That's what has always been good about track. The goal is very clearly defined: Try to win. Get the gold medal. And I'm able to put my energy toward that.
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Having learned something, we tend to cling to that belief, even in the face of overwhelming evidence to the contrary. New information comes in all time, and the thing we ought to be thinking about doing is changing our beliefs as that new information comes in.
