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Buffer between commercial, memorial and retail space.
Daniel Libeskind -
Well, I think one doesn't really have to invent this memorial space, because it is already there. And it is speaking with a voice and, you know, 4 million of us came to see the site.
Daniel Libeskind
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To provide meaningful architecture is not to parody history but to articulate it.
Daniel Libeskind -
There are more people living in Lower Manhattan now than before the terrorist attacks. That's faith for you. There's such a strong spirit here.
Daniel Libeskind -
And of course I like Berlin a lot. It's such an interesting city.
Daniel Libeskind -
And then, build a bustling wonderful city of the 21st century, with a restoration of a spectacular skyline, which Manhattan, of course, needs. So, that is really the design as a whole.
Daniel Libeskind -
Architecture is not based on concrete and steel, and the elements of the soil. It's based on wonder.
Daniel Libeskind -
I'm not Candide, nor Dr Pangloss, but we know that faith moves mountains.
Daniel Libeskind
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In a strange way, architecture is really an unfinished thing, because even though the building is finished, it takes on a new life. It becomes part of a new dynamic: how people will occupy it, use it, think about it.
Daniel Libeskind -
Only through acknowledgment of the erasure and void of Jewish life can the history of Berlin and Europe have a human future.
Daniel Libeskind -
Well, I didn't want to have the reminder sort of in the sky, so that people would forever look at it. I wanted to have - really to create a city from the bottom up. From that foundation, which held, from the democratic power of what the site really is.
Daniel Libeskind -
I studied architecture in New York. So, really I was very moved, like everyone else, to try to contribute something that has that resonance and profundity of it means to all of us.
Daniel Libeskind -
We will work with everybody for the good of New York.
Daniel Libeskind -
Larry wanted us to reposition the tower. We wouldn't, and won't. He's been holding back our fees. We want to get paid. And that's it. It'll get solved and we'll carry on with planning Ground Zero.
Daniel Libeskind
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And you have to remember that I came to America as an immigrant. You know, on a ship, through the Statue of Liberty. And I saw that skyline, not just as a representation of steel and concrete and glass, but as really the substance of the American Dream.
Daniel Libeskind -
It's a fantastic responsibility and a wonderful moment.
Daniel Libeskind -
Winning a competition in architecture is a ticket to oblivion. It's just an idea. Ninety-nine per cent never get built.
Daniel Libeskind -
Life it is not just a series of calculations and a sum total of statistics, it's about experience, it's about participation, it is something more complex and more interesting than what is obvious.
Daniel Libeskind -
Cities are the greatest creations of humanity.
Daniel Libeskind -
The official name of the project is 'Jewish Museum' but I have named it 'Between the Lines' because for me it is about two lines of thinking, organization and relationship. One is a straight line, but broken into many fragments, the other is a tortuous line, but continuing indefinitely.
Daniel Libeskind
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I think there is a new awareness in this 21st century that design is as important to where and how we live as it is for museums, concert halls and civic buildings.
Daniel Libeskind -
I don't get to sleep when I'm in New York. Really. I'm living on adrenaline.
Daniel Libeskind -
It's about how to bring together the seemingly contradictory aspects of the memorial, which is about a tragedy and how it changed the world, but also about creating a vital and beautiful city of the 21st century.
Daniel Libeskind -
It's a project that touched me as an immigrant and as a New Yorker.
Daniel Libeskind