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I don't think you can catch lightning in a bottle twice.
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There is still a wildness inside people that we've spent millennia trying to tame.
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Anybody that has had a brush with what feels like undiluted evil often ends up asking themselves the same questions - whether it's something that was a consequence of their own actions or actions that were taken against them or actions that they were caught up in.
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I have traveled down this path before - 'List of Seven' and 'Twin Peaks' both have thematic similarities - but 'Paladin' took me much deeper into the intuitive underground. Always bearing in mind Joseph Campbell's Rule No. 1: When entering a labyrinth, don't forget your ball of twine.
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I wasn't overwhelmed by dogma, and that sort of freed me up to look at things differently.
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When you're writing about one community, in a way, you're writing about all communities.
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'Twin Peaks' is a continuing story; that comes from David Lynch and myself.
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I don't want to get stale. I'm always interested in new things.
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People forget that in the early '70s, Saturday was the most-watched night of television of the week. It was where you found 'The Mary Tyler Moore Show' and 'All in the Family.'
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The sport was right in the center of these changing social dynamics. It was a game invented by blue-collar people in Scotland but adopted by the elite in England and America. All of those conflicts were coming into the open. I was amazed to find out how much was played out in golf as well.
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'Hill St.' was very good, but it was very impersonal work for me. I wrote about that place as if I was a visitor. It wasn't what my life was like. It was a great place to learn the craft of how to shape a scene, but I wanted a chance to write about more personal themes and obsessions.
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In the fun house of today's metastisizing sports-entertainment megaplex, when every day brings another story revealing how these 'heroes' we create are fashioned from base clay, a pause might be in order to reflect on athletes who actually embodied the qualities we think we admire in the too-easily deified.
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There's so much information and journalism on television. We have too much to absorb.
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I've always been interested in what passes for what we call religion, what other cultures call their spiritual life.
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One of the things that's unique about Louisiana politics is that people here have a much more realistic attitude about who their politicians are. They know they are human and not saints or Mormons or Eagle Scouts.
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Americans are notoriously ill-equipped for self-reflection. We're usually a very boisterous, outward-moving bunch of people, but we don't understand that much about ourselves or how other people perceive us.
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I want something that's going to linger and stay with me and give me something to think about and chew over. That's the real objective here; it creates something that doesn't feel disposable.
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The superhero genre speaks to a vast swath of humanity these days, and studios are in the business of constantly renewing their money-printing licenses. I sense we're nearing a saturation point with some of these icons, where it becomes more about the action figures and Happy Meals than it does the mythological heartbeat of the core ideas.
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The challenge for us is to try and come back and raise the bar above what we did the last time. We're coming back with season three of 'Twin Peaks' after a 25-year absence.
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The fact that people still talk and obsess about 'Twin Peaks', more than twenty years after the fact, is a great validation for what we thought we had going at the time.
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I got to know Coach Wooden at the end of his life.
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I don't think I consciously decided to write for the young adult audience; my subconscious decided for me.
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I like to take my time with things.
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At the heart of life lies a mystery that everybody has to wrestle with. What the heck are we doing here? How does this world work, and how do I fit?